which

歌曲名:Which One歌手:Beenie Man专辑:Reggae Legends - Beenie ManChris Brown ft.noah - Which oneWhich one you gone get man?I don"t know man, so many to choose fromChris BrownNoahI"ma make it rain like sprinkle sprinkleDat boy chevy goes twinkle twinkleHop out like a G, say pleased to meet youCan we elope and go smoke somewhere peaceful?It"s the N O A H, baby kiss me, hug meThe music man, girls, they love meSo which one of y"all gone sip some crystal?If you ain"t old enough then holla at Chris BrownEveryone of y"all looking like(Looking like)You wanna do something freaky tonight(Freaky tonight)Tell your man you ain"t feeling the same(Same)You wanna be free(Free)Free to mingle tonightIf I could I"d take all of you(All of you)To a place where we all could do(All could do)Something that your momma wouldn"t approveMake ya get down(Show me what"s good)Let me see how they do it in your hoodWhich one of y"all want it?Which one of y"all need it?(Hey)Which one of y"all?Which one tryna get this?(Oh)Which one of y"all?Which, which one?Which one of y"all taking that off for me?(Which one of y"all, take it off for me?)Which one,Which one of y"all want it?Which one of y"all need it?(Hey)Which one of y"all?Which one tryna get this?(Ohh)Which one of y"all?Which, which one?Which one of y"all taking that off for me?(Which one of y"all?)Tell meCome here, come here,come here walk for me(Walk for me)Let me see what they be telling me(Telling me)Bout that thing, I just had to know(To know)Baby, what"s your name?(Name)Or do you wanna play tonight?Come hereOr do you like the beat?(Like the beat)Talk to you like you coming wit" meGirl, I already know(Know)Baby, what"s your thing?(Thing)If you want it you can get it tonightWhich one of y"all want it?(Baby)Which one of y"all need it?(Hey)Which one of y"all?Which one tryna get this?(Which one)Which one of y"all?Which, which one?(Of you)Which one of y"all taking that off for me?(Taking it off for me)Which one,Which one of y"all want it?Which one of y"all need it?Which one of y"all?Which one tryna get this?(Which one)Which one of y"all?Which, which one?Which one of y"all taking that off for me?(Which one of y"all gonna take it off)You can count on CB or me to please yaFly you to Italy for a piece of pizzaBack to America leave with leisure, G4 cash boyYou don"t need your Visa"Cuz you"re my candy girl, my now and laterJust bring your purse and what your momma gave yaBaby, I"ma playa but the ball"s in your courtNow let me see ya strip to ya bra and boy shortsI"m gritting my teeth like I need a pack of gumApple bottoms got you looking like Bonita Apple BumI"m for da Catta, baby, tell me where you fromCome, come whisper in your ear, let me tell you somethingThe way your booty hop I think a rabbit"s in your pantsWe can travel to Japan, then Africa to FranceI can have it in your plans if you tell me in advanceSo baby use your brain and take advantage of the chanceWhich one of y"all want it?Which one of y"all need it?(Which one of you?)Which one of y"all?Which one tryna get this?(Wanna ride in my coupe?)Which one of y"all?Which, which one?Which one of y"all taking that off for me?(Tonight)Which one,Which one of y"all want it?Which one of y"all need it?Which one of y"all?(Which one of y"all)Which one tryna get this?Which one of y"all?(I said, which one of y"all)Which, which one?Which one of y"all taking that off for me?(Take it off)Which one,Which one of y"all want it?Which one of y"all need it?(Take it off)Which one of y"all?Which one tryna get this?(Ohh)Which one of y"all?Which, which one?Which one of y"all taking that off for me?Whichi one,Which one of y"all want it?Which one of y"all need it?Which one of y"all?Which one tryna get this?(Me)Which one of y"all?Which, which one?(Ohh)Which one of y"all taking that off for me?Which onehttp://music.baidu.com/song/7428204

可以 具体表示哪个需要看语境

which one是词组，不是句子，可以说which one do you like?句意:你喜欢哪一个？有时候不用纠结错哪了，书看的多了，一种语言惯用什么，就知道了，本土人也有语法错误，要不我们怎么还学语文，找语病。

1. which 和 what 均可与名词连用，表示对人或物提出疑问。一般说来，当选择范围较小或比较明确时，用which；当选择范围较或不明确时用what。如： Which is bigger, the sun or the earth? 太阳和地球哪个大？ What writers do you like? 你喜欢哪些作家？以上区别只是一般原则，并不绝对。如也可说： Which /What will it be—tea or coffee? 这是什么──茶还是咖啡？ 2. which, what 均可用作代词(即其后不跟名词)。 Which/Which one do you like best—your father or your mother?你更喜欢谁──父亲还母亲？ 3. what 的选择范围可以很大或不明确，所以其后可以跟else，但一般不跟表示特定范围的 of 短语；which 的选择范围相对比较小或明确，所以其后一般不接else，但却常 of 与短语连用。如： What else did you see there? 你在那儿还看到了别人的什么人什么东西？ Which of the three girls is the oldest? 这三个女孩中哪个年纪最大？也有特殊情况： Who of you three first thought of this? 你们三人中谁最先想到这一点？ 4、而which one表特指，后面接单数或不可数名词。

whichone可以是疑问词组，其后句子的其他成分，原则上其后的动词为谓语动词，不是非谓语动词，todo结构是非谓语动词的一种形式，因此，当whichone为疑问词时，不能用whichonetochoose搭配，只能是：whichonecanwechoose但wh-todo结构可以在句子中作宾语，这时whichone是连接词组，不是疑问词组：如，idon"tknowwhichonetochoose.

which one 问“哪一个”。如：There are some ladies over there. Which one is your mother? （那边有一些女士。哪个是你妈妈？）which ones 问“哪一些”。如：There are many books on the floor. Which ones are yours? （地板上有很多书。哪些是你的？）当然也可以说 Which one is yours? （哪一本是你的？）

哪一个 的意思

哪个？

这是采取快乐英语阅读里的

I am not sure. But maybe it will help you.As to as follow/as follows, we usually use it as adv., namely, we tend to use as follows when it follows verb. eg. do it as follwsAs to as following, personally I think it could be divided into as & following, following here used as adj.(sometimes maybe noun.uff09eg.as following codes, tips as following.Anyway, as following has something to deal with noun, while as follow(s) has something to deal with verb.codes as following, as following codes, noun is placed ahead so as following is used

1 . 形式不同。如： The house _______ windows face south is our reading - room . A . of which B . whose C . which D . its 此题正确答案是B，不能选择A。选择 of which 时应在名词前加上定冠词 the，也就是说如果名词前有 the 就只能用 of which。如果名词前没有冠词，就用 whose。如上句题干改为：The house _______ the windows face south is our reading-room . 此题就只能选择答案A而不能选择B了。 2 . whose 即可以指人，又可以指物，而 of which 只能用来指物。如： The boss in whose department looked down upon women . The house whose roof was damaged now has been repaired . 上面第一句不可用 of which 来改写，第二句可以。可写成：The house of which the roof was damaged has now has been repaired . 3 . of which 除了可以表示所属关系外，还可以用来表示整体的关系，而 whose 则不能。 He borrowed a book of which the author was a peasant . In Barcelona the Chinese team got 16 gold medals , of which 12 were won by women . 第一句中的 of which 就可以用 whose 来代替。因为这个句子中 of 是用来表示所属关系。可改写成：He borrowed a book whose author was a peasant。而第二句中的 of which 就不要用 whose 来替。因为这个句子中的 of 不是表示所属关系，而是表示整体与部分的关系。 4 . 引导非限制性定语从句多用 whose，而很少用表示所属关系的介词 of 加上关系代词 which。如： There is a mysterious lake at the foot the hill , whose depth has never been measured . 山脚下有个神秘的湖，其深度从未测量过。 如介词 of 不表示所属关系，而是用来表示整体与部分的关系。此时就经常引导非限制性定语从句了。如； There are 102 elements found in nature , of which most are metals . The stories about the Long march , of which this is one example , are well written .

Beijing。whichcityinchinawereyouborn问的是你出生在中国哪个城市，你可以回答I was born in Beijing, China，I was born in Beijing, China。

in which = where 所以是对的

A be born there 是地点状语从句 遇到这样的问题就把从句变成分句。

savingallmyloveforyou把我的爱全都留给你written:gerrygoffinmichaelmasserwhitneyhustonafewstolenmomentsisallthatweshare我们只是一起度过了一些愉快的时光youvegotyourfamily,andtheyneedyouthere你有了家人，他们需要你thoughivetriedtoresist,beinglastonyourlist我曾努力想要坚持下去，但在你心目中，我仍位居最后butnoothermansgonnado再没有人能让我如此soimsavingallmyloveforyou因此，我将我全部的爱留给你itsnotveryeasy,livingallalone独自一人并不容易myfriendstryandtellme,findamanofmy是不是这个啊歌名就是第一句！回答完毕

区别是：which made是用定语从句引导的。意思是由.....制成。而且是一般过去时。making是现在分词做定语，直接修饰前面的句子。也可以直接做名词，意思是制作。例句：which made1、On top of it being dark, it rained, which made the going even tougher. 天很黑，又下着雨，路更难走了。2、Tom came back, which made us happy. 汤姆回来了，这使我们很怡悦。3、I think it"s the reason which made me get that character. 我想这可能也就造成了我当时的那种性格。4、 I have left my job which made me crazy. 我已经辞掉了那份让我抓狂的工作了。making1、Ducks "eggs are particularly prized for cake making. 鸭蛋在做糕饼时，格外重要。2、Her drama teacher is confident Julie is a star in the making.朱莉的戏剧老师相信她会成为一颗冉冉升起的明星。3、This discovery may yet be the making of him. 这次的发现也许会成为他成功的契机。4、Godfrey had the makings of a successful journalist. 戈弗雷具有成为一名成功记者的潜质。

做定语从句的方法就是把先行词带入从句中,如:在这里将先行词theday带进后面的定语从句当中就是:theylefttheday,"theday"在这里做宾语,而且前面不用加介词,所以就是用that.我再举一个用when的例子:doyourememberthedaywhenwewenttobeijing?将theday带入从句中就是wewenttobeijingintheday.这里theday前面有介词in,所以用关系副词when

【答案】：C考查阅读训练活动。选项中训练细读的最好办法就是将原文中的信息做成表格。

B 试题分析：句意：《中国之声》已经建立了一个舞台在那里一些人可以实现他们的梦想。这里用了定语从句，先行词是a stage，定语从句中不缺少主宾表，缺少的是地点状语，所以用where引导定语从句，所以选B。

D

1.步骤类：①整体简介②所需工具/原料③方法/步骤④注意事项2.常识类：①直接回答问题②详细给出具体原因/理由/介绍3.原因类：①详细解释原因/理由②提供有效解决方案（构成见步骤类）4.其他类型详见高质量标准（点击回答框右侧图片）

their 是他们的房子，which是哪一个，说明不止一个啊

theway做先行词，定语从句的引导词只有以下三种：way后面跟定语从句有三种形式。(1)way+inwhich+定语从句例如：Shewaspleasedwiththeway（inwhich）hehadacceptedhercriticism.(2)way+that+定语从句例如：Theydidn"tdoitintheway（that）wedonow.(3)way+定语从句，省略引导词例如：Hedidn"tspeaktheway（不填）Ido.不存在thewaywhich的用法。

都可以,要看在什么句子里. This is the way,that leads to your office. 这是通向你办公室的路. This is the way,which you were talking about yesterday. 这是你昨天说的办法（路）.

theway做先行词，定语从句的引导词只有以下三种：way后面跟定语从句有三种形式。(1)way+inwhich+定语从句例如：shewaspleasedwiththeway（inwhich）hehadacceptedhercriticism.(2)way+that+定语从句例如：theydidn"tdoitintheway（that）wedonow.(3)way+定语从句，省略引导词例如：hedidn"tspeaktheway（不填）ido.不存在thewaywhich的用法。

in which（介词加关系代词）、that或省略。the way作先行词，后接定语从句，以下3种表达都是正确的。例如：“我喜欢她笑的样子。”1、the way+ in which +从句I like the way in which she smiles.2、the way+ that +从句I like the way that she smiles.3、the way +从句（省略了in which或that)I like the way she smiles.the way的用法1、在当代美国英语中，＂the way+从句＂也常作为状语，相当与＂in any way(that or in which)+从句或in any manner in which +从句＂，其含义是＂不管／不论用什么方式＂。2、在美国口语中，in the same way，in this(that ) way，in another way等词组里的in经常省略。3、one"s way用作状语1）come one"s way撞见某人，与某人不期而遇2）see...one"s way看法与某人一致3）go one"s own way独立行动

The way which I like. 根据句子意思可以做主语或宾语 我喜欢的那种方式。which 引导的定语从句修饰way

这个是定语从句的用法啦，建议你好好翻翻上课做的笔记吧，因为他们之间的区别太多了。。。。比如说which和that,which前的先行词只能是物，that前的先行词既可以是物也可以是人，而who之前只能是人等等，太多了。。。

that的用法：1.先行词为不定代词IstheresomethingthatIcandoforyou?2.先行词（指物）被形容词最高级修饰ThisisthetallestbuildingthatI"veeverseen.ThisisthemostinterestingbookthatI"veeverread.3。先行词（指物）由序数词修饰ThefirstnovelthatIreadisHarryPotter.4。先行词既有人又有物Thewriterandhisbooksthatpeopletalkedaboutliveinthissmalltown.5。先行词被only,no,very修饰ThisistheverydictionarythatIwanttobuy.(注：这里仅仅表特指或强调，并不是所有句子中有only,no,very就用that，有时候会有特殊情况,比较少见，也不用管了）which的用法：1.非限定性定语从句2.介词+which（指代物时用）3.指代前面整个句子内容，不可放句首4.除了上面只能用that的，一般都可用希望把分加给我，我很多都是自己压缩自己写的。介词后只能加which,whom有时候在表示谁的东西时，ofwhich/whom和whose同义。如下：Onthehillweremapletreeswhoseleaveshadturnedred.Onthehillweremapletreestheleavesofwhichhadturnedred.2.who的用法一.指人的关系代词有who、whose、whom、that.试分析：Theoldmanwho/whom/thatwevisitedyesterdayisafamousartist.MissWangistakingcareofthechildwhoseparentshavegonetoBeijing.Themanwithwhommyfathershookhandsjustnowisourheadmaster.（=Themanwho/whomthatmyfathershookhandswithjustnowisourheadmaster.）注：A．指人时有时只用who不宜用that。1．先行词为one、ones或anyone（1）ThecomradeIwanttolearnfromistheonewhostudieshardandworkshard.（2）Anyonewhobreaksthelawshouldbepunished.2．先行词为these时ThesewhoaregoingtoBeijingarethebeststudentsofourschool.3．在therebe开头的句子中Thereisastudentwhowantstoseeyou.4．一个句子中带有两个定语从句，其中一个定语从句的关系代词是that，另一个宜用who，以免重复。Thestudentthatwonthefirstprizeisthemonitorwhoworkshards.5．在非限制性定语从句中A.Imetafriendofmineinthestreet,whohadjustcomefromJapan.B.主句以who开头的句子中,只用that,不用who。

who前面的先行词只能是人which前面的先行词可以是物或是一个完整的句子,但是不能指人不定代词如everything,anything等的先行词只能是用who,不能用which

who是指“谁”，whose是指“谁的”，whom是who的宾格，也指“谁”，which指“哪一个”。定语从句中的关系代词who，whose，whom，that，which。who作为从句的主语或宾语IknowthegirlwhoisTom"ssister.DoyouknowthemanwhoIjusttalkwith?whose充当物主代词“谁/什么的”Thatistheoldmanwhosesonisourheadmaster.Don"tsitonthechairwhoselegisbroken.whom充当宾语，放介词之后ThatisthemanwithwhomIjusttalk.PeteristheboyfromwhomIborrowabike.which代替事物，主语宾语都可以指代。IwanttovisitthefactorywhichIworkedinthreeyearsago.

1.whom针对宾语提问,例句:ThegirltowhomIgavethepenismysister.把句子变为正常语序为(原句):Igavemypentothegirl.She"smysister.这里thesister是我把钢笔给的对象,就是宾语,所以用whom提问,作为谓语的对象,作为宾语,所以要加to.2.who针对主语提问,例句:Thegirlwhogivemethepenismysister.把句子变为陈述语序(原句):Thegirlgavemethepen.She"smysister.这里给我钢笔的Thegirl是主语,针对主语提问所以用who.3.which主要引导定语从句,定语是做修饰成分的,功能是限定成分.例如:Thepenwhichisgreenismine.这里which引导的isgreen是对钢笔颜色的修饰,所以用which.4.where主要引导地点状语从句.例句:Istandatthesquarewherethere"satree.这里where引导的是状语从句用来限定地点名词.清楚了吗?

呵呵，楼上回答太偷懒了，估计楼主不愿意看，要是楼主都看了，也不会来问了。我来简单明了的。先行词在定语从句中做主语，用who。例：iknowthatguywhoissittingontheground.先行词在定语从句中做宾语，用whom。例：iknowthatguywhomtheteacherisasking.用先行词的所有关系来修饰的定语从句，用whose。例：iknowthatguywhoselegisbroken.

who先行词指人，在定语从句中充当主语，有时也可做宾语（考题中较少出现，但湖南2010高考28题却出现了）。whom先行词指人，在定语从句中充当宾语。whose先行词指人或物，在定语从句中充当定语。e.g.1.themanwhoistalkingwithmyfatherisourheadmaster.（who指theman，从句中做istalkingwith的主语）2.themanwhommyfatheristalkingtoisourheadmaster.（whom指theman，从句中做istalkingto的宾语）3.themanwhosesonisadoctorisourheadmaster.（whose指theman，从句中做son的定语，即theman"sson)如有疑问，再联系我~

此题考查的是JavaBean在jsp中的取值方式．其中C和G效果是一样的

这里不用加冠词 the. 因为这个most 是副词， 修饰谓语appreciate.Which one fo you appreciate most, politicians or scientists?

RICHARD CROOKSSongs from Operetta, Musical Comedy and FilmsOriginal Recordings 1924—1933Probably the finest lyric tenor America ever produced — and in the 1930s on radio and in opera and concert certainly the most popular — Richard Crooks was born into a family of modest means, of Scottish and English ancestry, in Trenton, New Jersey on 26 June, 1900. His mother, Elizabeth Gore, herself a gifted amateur singer, gave Richard the boy-soprano his earliest musical education until 1910, when his first serious engagement, as soprano soloist in Mendelssohn"s Elijah in his native town, before a 10,000-strong audience, pro-vided the necessary spur to his talent. His stage-partner at that baptism of fire, Ernestine Schumann-Heink (1861-1936), the German-American contralto star of the Metropolitan Opera, predicted great things for her ten-year-old colleague, all of which duly came to pass. Having reached puberty, Crooks began to re-train as a tenor. At fourteen he was already earning his own living, and financed his studies by manual occupations until 1917 when, with the US entry into World War I, he entered the US Armed Forces flying corps. A year later Crooks was on active service with the US Airforce over France but, the war over, he returned to the USA and continued his vocal studies with vigour, principally (from 1920 onwards) with Schumann-Heink"s accompanist, the influential, New York-based pianist-composer and vocal coach Frank La Forge (1879-1953), whose illustrious pupils included Crooks" fellow-Americans Marian Anderson and Lawrence Tibbett as well as the much-admired Spanish soprano import, Lucrezia Bori. Under La Forge"s tutelage Crooks first won fame in oratorio (the curriculum in which he would also end his career) and in 1922 the hopeful young tenor sang in nine concerts with the New York Symphony Orchestra under its prestigious conductor Walter Damrosch. The success of these led to a further series of engagements across the States and, indirectly, to his first Victor recording contract, in 1923. In an item from an early session, Red, Red Rose (from incidental music to Rudolph Valentino"s 1924 Paramount silent-screen vehicle Monsieur Beaucaire) Crooks simultaneously offers us a fine sample of his youthful voice and a prime early example of recorded film-music.During 1925 Crooks made his first European concert tour. His venues included London, Belgium, Holland and Germany, where his lieder recitals won him particular acclaim. On his return to the States in 1926 the European reputation he had gained appears to have excited considerable further interest. His voice already had passion and thrust and a certain endearing lyrical quality which most — if not quite all — of his records seem to have preserved for posterity. At home, the public took him to their hearts and further concert successes followed, crowned by two performances of Beethoven"s Choral Symphony at Carnegie Hall, under Toscanini, in 1927. Later that same year he embarked on the first of several recital tours of Great Britain, Scandinavia, the Low Countries and Germany which would continue until 1932. Meanwhile, Crooks" growing list of recordings, which hitherto at least comprised mostly popular ballads and items from operetta, distributed on both sides of the Atlantic, were already beginning to sell in such quantities that Victor saw in him an inexpensive replacement in their Red Seal catalogue for McCormack as well as a viable promoter of the latest in film-ballads. Although comprehensive in his art as a recitalist, on records he veered, predictably, towards the popular repertoire. Richard Crooks made his opera début in Hamburg, in Puccini"s Tosca, in May 1927, and his subsequent accounts of the tenor leads in Faust, Carmen and La traviata, as well as in Wagner"s Meistersinger and Lohengrin, left a lasting impression on his German audiences. Back in New York, in 1928, he was chosen by Mengelberg for the New York première of Mahler"s Das Lied von der Erde and in 1930, with the Philadelphia Company, made so resounding a US opera début that he was at once offered a contract by the New York Metropolitan Opera. Sensing himself unprepared for such a step, however, Crooks passed up the offer in favour of further European tours and weekly guest appearances on the coast-to-coast radio programme Firestone Hour, which was to be his intermittent Monday evening niche for several years to come. He first trod the boards of the Met as Des Grieux in Massenet"s Manon in February 1933 (at this début he reportedly took 37 curtain-calls) and thereafter appeared at intervals with the company, between concert tours to Australia, Canada and elsewhere, until his retirement in 1946.The Crooks discography of the late 1920s and early 1930s reflects a rebirth of interest in operetta, on both stage and screen. In Overhead the moon is beaming, the Serenade from the long-running 1924 escapist best-seller The Student Prince by the Hungarian Sigmund Romberg (1887-1951) — later famously revived in a film starring Mario Lanza — Crooks is joined by the Rounders male chorus headed by sometime Reveler Lewis James. In this Crooks gives us a tantalising aftertaste of a Broadway show which he all but premiered, while in I bring a love song, a charming albeit now neglected item from the pioneering film-musical Viennese Nights — a 1930 collaboration by Romberg and Oscar Hammerstein II (1895-1960) — the tenor complements his soprano colleague to perfection. The Student Prince"s long-running "twin" rival on Broadway, the 1925 hit Vagabond King by the Czechoslovakian-American Rudolf Friml (1879-1972) also affords him a golden opportunity to show off his superbly-managed head voice in Only a rose.Similar qualities are brought to bear by Crooks on gems from a wide range of other operetta landmarks, both contemporary and of older vintage. Especially fine are his selections from the shows of the Irish-American Victor Herbert (1859-1924), including Ah, sweet mystery of life and I"m falling in love with someone (from Naughty Marietta, 1910; filmed by MGM, 1935), When you"re away (a lingering waltz from The Only Girl, 1914) and Neapolitan Love Song (from The Princess Pat, 1915). He also displays an endearingly lyrical quality in Rio Rita (the title-song of a long-running Broadway musical of 1927 by Harry Tierney (1890-1965), filmed by RKO in 1929) and One alone (hit-song of Romberg"s mega-hit 1926 show The Desert Song — filmed by Warner Brothers in 1929, 1943 and 1953). In selections recorded simultaneously with the 1932 Broadway revival of The Dubarry by the Austrian Karl Mill？cker (1842-1899 — Crooks" partner on disc Grace Moore appeared in this show, Crooks did not) he shows something of the imaginativeness of tone-colouring which made him famous, while his treatment of other generically ‘Viennese" favourites place him stylistically on an easy par with Richard Tauber, including Just two hearts and a waltz refrain (a translation of the title waltz-song from the 1931 German film Zwei Herzen in Dreivierteltakt, by the Austrian Robert Stolz — 1880-1975), Yours is my heart alone (American translation of "Dein is mein ganzes Herz", hit-song from Das Land des L？chelns — Berlin, 1929; produced in London in 1931, as Land of Smiles — by the Hungarian Franz Lehár, 1870-1948), Castles in the air (from Frau Luna (1899) by the German Paul Lincke (1866-1946) and I walked in the blossoming garden (the famous Waltz Song from A Waltz Dream, in the 1908 London version by Felix Doerman and Leopold Jacobson, with lyrics by Adrian Ross and music by the Viennese Oskar Straus, 1870-1954). Crooks concludes the recital with Tell me tonight (in this title-song from the 1932 film-musical landmark (US title Be Mine Tonight) in which Polish tenor Jan Kiepura sang the music of the Russian-born pianist-composer and conductor Mischa Spoliansky (1898-1984), he is ably backed by a fine orchestral adaptation under the baton of HMV"s then house-conductor Ray Noble). Richard Crooks died in Portola Valley, California, on 29 September, 1972.Peter Dempsey, 2002The Naxos Historical labels aim to make available the greatest recordings of the history of recorded music, in the best and truest sound that contemporary technology can provide. To achieve this aim, Naxos has engaged a number of respected restorers who have the dedication, skill and experience to produce restorations that have set new standards in the field of historical recordings.Peter DempseyA tenor singer of wide range and performing experience, Peter Dempsey specialises in Victorian and Edwardian genre ballads and art-song, and has recorded various CDs, including Love"s Garden Of Roses for Moidart. Quite apart from his personal enthusiasm for music in the broadest sense, through his assiduous collecting and study of 78s over many years, Peter has acquired not only a wide knowledge of recorded musical performance but also a heartfelt awareness of the need to conserve so many "great masters" who — were it not for CD — might now be lost for future generations. A recognised authority on old recordings, Peter now regularly researches and produces CD albums from 78s.

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