mou

什么叫停止mousemove事件？加个判断不就好了么

在对应区域上添加onmouseout事件，然后设置菜单隐藏即可。

可以用SetCapture函数。函数原型：HWND SetCapture（HWND hwnd）；函数功能：该函数在属于当前线程的指定窗口里设置鼠标捕获。一旦窗口捕获了鼠标，所有鼠标输入都针对该窗口，无论光标是否在窗口的边界内。同一时刻只能有一个窗口捕获鼠标。如果鼠标光标在另一个线程创建的窗口上，只有当鼠标键按下时系统才将鼠标输入指向指定的窗口。

$(ele).unbind("mousemove");可以解除这个事件。如果想不执行这个事件代码，可以重新绑定一次，把回调函数里不要写代码。

同意一楼

需要这么复杂吗！判断一下有没有图片不就行了

Dim DownX As IntegerDim DownY As IntegerPrivate Sub Form_Load()Me.ScaleMode = 3Picture1.ScaleMode = 3Picture1.Picture = LoadPicture("c:my documents05.jpg") "要装入的图片DownX = -1End SubPrivate Sub Picture1_MouseDown(Button As Integer, Shift As Integer, X As Single, Y As Single)If Button = 1 Then DownX = X DownY = YEnd IfEnd SubPrivate Sub Picture1_MouseMove(Button As Integer, Shift As Integer, X As Single, Y As Single)Dim l As IntegerDim t As IntegerDim dx As IntegerDim dy As IntegerIf (Button And 1) = 1 Then dx = X - DownX dy = Y - DownY If (dx < 0 And Picture1.Left = 0) Or (dx > 0 And Picture1.Left + Picture1.Width = ScaleWidth) Then DownX = X Else l = Picture1.Left + dx If l < 0 Then l = 0 ElseIf l + Picture1.Width > ScaleWidth Then l = ScaleWidth - Picture1.Width End If Picture1.Left = l End If If (dy < 0 And Picture1.Top = 0) Or (dy > 0 And Picture1.Top + Picture1.Height = ScaleHeight) Then DownY = Y Else t = Picture1.Top + dy If t < 0 Then t = 0 ElseIf t + Picture1.Height > ScaleHeight Then t = ScaleHeight - Picture1.Height End If Picture1.Top = t End IfEnd IfEnd SubPrivate Sub Picture1_MouseUp(Button As Integer, Shift As Integer, X As Single, Y As Single)If Button = 1 Then DownX = -1End Sub已发到邮箱

MouseMove里有个参数是Button，1是左键按下，2是右键按下，4是中间按下

那你在mousemove事件中判断下鼠标坐标动没动就好吧

你可以试一试在Label的MouseMove事件中添加一个移动事件，于Form的移动事件相协调运作(我还没试过)

看看你label的容器是什么，比如如果是picture里面有label的话，你再加个picture上的mousemove事件设置label不可见不久行了。。。。

荷石傲逢乳司棕存励歼

这个简单啊，只要把画直线的方法中点的坐标改为鼠标的位置就行了：e.X，e.Y，分别代表鼠标当前位置的横坐标和纵坐标。声明两个全局变量：x，y，用于获取鼠标进入画板的位置（这里，我用标签来当画板）：Graphics g;int x, y; private void label2_MouseMove(object sender, MouseEventArgs e) { g=label2.CreateGraphics(); Pen p = new Pen(Color.Black); g.DrawLine(p, x, y, e.X, e.Y); x = e.X; //让下个线段的起点为当前鼠标坐标 y = e.Y; }但是，这种方法画出来的不是你想要的直线段，因为鼠标的坐标变化很小，单位为1，画出来会是曲线段。建议不要使用鼠标移动事件，而是鼠标单击事件，每次单击确定一个点：private void label2_MouseDown(object sender, MouseEventArgs e) { x = e.X; y = e.Y; g = label2.CreateGraphics(); Pen p = new Pen(Color.Black); g.DrawLine(p, x, y, e.X, e.Y); x = e.X; y = e.Y; }这样做，线条永远从窗口左上角开始起点。要想从窗口中单击某个点做为起点，程序如下修改：private void label2_MouseDown(object sender, MouseEventArgs e) { g = label2.CreateGraphics(); Pen p = new Pen(Color.Black); if (x == 0 && y == 0) { x = e.X; y = e.Y; } else { g.DrawLine(p, x, y, e.X, e.Y); x = e.X; y = e.Y; }

可以通过比较mousedown的位置来确认是否是move操作document.onmousemove = function(e) {　　// 不是move操作　　if (x === mouseDown.x && y === mouseDown.y) { return false; }};document.onmousedown = function (e) {　　mouseDown = { x: e.clientX, y: e.clientY };};

奥米茄

你好！你可以在MouseDown中设置一个bool变量，使其为true，然后在MouseMove中判断这个bool变量是否为true就是判断按键我的回答你还满意吗~~

this.MouseMove+=new MouseEventHandler(这里填写方法名);

假设用户窗体名称为userform进入代码窗口，左边找到userform,右边找到mousemove,如图：

"添加一个Lable1Private Sub Form_MouseMove(Button As Integer, Shift As Integer, X As Single, Y As Single)Me.Label1.BackColor = &H8000000FEnd SubPrivate Sub Label1_MouseMove(Button As Integer, Shift As Integer, X As Single, Y As Single)Me.Label1.BackColor = &H0&End Sub

Mousemove只有在鼠标在控件上的时候才管用例如你在FORM上放一个 再在PICTUREBOX里放一个TEXTBOX鼠标在TEXTBOX上时只触发TEXTBOX的Mousemove鼠标在PICTUREBOX上时只触发PICTUREBOX的Mousemove

mousemove 事件之所以产生就是因为mouse在move。

奥米茄

不好意思，我弄错了

相对于Picture2图像框控件的坐标值，以图像框左上角为(0, 0)坐标

@mousemove.once="handleMouseMove"

只要你的鼠标在窗体上有移动的动作 鼠标不是静止的话 该函数会自动调用 并会返回一系列参数 如楼上所说 VB是事件触发类型的 鼠标的移动就是事件 窗体的载入也是一种事件（Form1_Load) 等等

应该选C项。能够在窗体上触发MouseMove事件的操作是鼠标滑过窗体。MouseDown、MouseMove、MouseUp这三个事件主要是响应鼠标的操作。在窗体上按下鼠标，会触发MouseDown事件。松开鼠标，会触发MouseUp事件。移动鼠标，会触发MouseMove事件。所以选择C项。扩展资料mousemove事件的节流：依然先从字面意思去理解，节流的点在于节。让函数有节制的执行。举个栗子，仍旧是上面的mousemove事件。仍旧给定时间500毫秒。节流操作后，mousemove事件会变为每隔500毫秒执行一次。也就是说，节流不会断流，频繁触发仍会多次执行，但会降低频率，只在规定时间间隔内执行一次。同样的动作，防抖的函数不会被触发。这三个事件不同于以上几个事件，他们都是有参数的，Button、Shift、X，Y，可以判定事件的详细信息，比如按下哪个键，鼠标的位置等等。

简单地说，就是鼠标移动的时候，会触发什么事情。

第一题是第一个句子对了,因为第二句子要对his要翻译为他的,这就要是前面已经出现了plays 是他的作品了.就是前面已经有出现了,这样才能用. 第二题 选B finish school是短语 完成学业 拆开时候就意思不对了 第三题前面用of 或是about都行 后面只能用of 因为这两个词在关于是同义的 ,但是of还有···的 而about不具备 这就是第二道题所需的···的

第一题是第一个句子对了,因为第二句子要对his要翻译为他的,这就要是前面已经出现了plays 是他的作品了.就是前面已经有出现了,这样才能用. 第二题 选B finish school是短语 完成学业 拆开时候就意思不对了 第三题前面用of 或是about都行 后面只能用of 因为这两个词在关于是同义的 ,但是of还有···的 而about不具备 这就是第二道题所需的···的,8,第一题前面对 第二题B 完成学业 第三题前about解释为关于 后of解释为的,2,1.some of his plays are famous正确 2.选B school 3.about 4.of,2,some of his plays are famous,这个对,of是的的意思，后面加名词 B，finish school 固定短语 about 关于 一本关于Michael jackson 的书 of 的 一位宾馆的经理,2,1.some of his play are famous. 第二句中主语不完整。some of his，his后面需要一个名词 2.答案：B 解释：finish school完成学业 3.about of about关于 “我想买一本关于迈克尔杰克逊的书” of 表所属 “史密斯先生是一家宾馆的经理”,1,1，前一个对 some of his some是什么开始不是会迷茫，这种都是固定的表达，以后做题做多了就会有感觉的 2，B finish school 貌似是固定搭配 3，about 关于，我想买一本关于迈克尔杰克逊的书 of 。。。。的 史密斯先生是一个旅馆的经理,1,Some of his plays are famous 意思他的一些戏剧是很有名的 school about 有关于...的意思 of...的,1,1. Some of his plays are famous. play 在这里作名字，第一次出现放前面比较好理解。 2. finish school. 抽象名字，表示完成学业 3. about 关于MJ的书，表示书的内容 of 一家酒店的经理，表示从属关系,0,1 连词成句：of,plays,his,famous,some,are. some of his plays are famous.some of his are famous plays.哪个对?为什么? 2 Shankespeare decided to be an actor when he finished ___ . A the school B school Ca school D schools.选哪个?为什么? 3 I want to buy a book _____ Michael jackson. Mr *** ith is a manager ____ a hotel. of和about 有什么区别?分别用在哪句?为什么?

⒈不定式作宾语 ①以下动词后，只能跟不定式作宾语。如：agree,ask,aim,arrange,choose,decide,demand,expect,fail ,help,hope,lean,long,manage,offer,plan,prepare,pretend,promise,refuse,wish等，这些词大部分可接th at引导的从句。如： I decided to ask for my money back. I decided that I would ask for my money back. When our visit to the farm was over,we expected to startback on foot. When our visit to the farm was over, we expected that wewould start back on foot. ②当复合宾语中的宾语是不定式时，先用形式宾语it代替不定式，把不定式置于补语之后，即：主语＋动 词＋it＋补语＋to do句式。如： We think it quite important for us to learn a foreignlanguage well. He feels it his duty to help the poor. ③介词but,except,besides+to do(do) 在这种句型中，如介词前有动词do，后面应接不带to的不定式；如无do，则接to不定式，即带do不带to， 带to不带do。如： The enemy soldiers had no choice but to give in. On Sunday afternoon I had nothing to do but watch TV. ⒉动名词作宾语 ①以下动词后，只能接动名词作宾语，如：admit,appreciate,consider,delay,enjoy,finish,keep,imag ine,mind,miss,practise,resist,risk,save,suggest,don"t mind,give up,insist,on, put off等。如： I suggest spending our summer vacation in a seaside town. You must give up smoking, for it does too much harm toyour health. ②动名词作介词的宾语 I should go to attend the birthday celebration instead of staying at home. What about inviting Li Jun to make a speech? 动名词前的介词有时可以省略，如：have difficulty(in)doing,have no trouble(in)doing,lose no ti me(in)doing,prevent/stop…(from)doing,there is no use(in)doing等。 ⒊部分动词后面，既可接动词不定式，也可接动名词作宾语，意义不变。如：begin,continue,start,hat e,like,love,need,require,want等。 在need,require,want后接-ing形式，表示被动意义，也可接不定式，但要用被动形式，如：Your handwr iting needs improving(tobe improved). hate,love,like接不定式表示特定的未来事件，接动名词表示目前 正在进行的活动或一般的行为。 在下列情况下，一般要用不定式： ①hate,like,love前有would(should)时，如：I"d like to have a cup of coffee. ②当谓语动词begin,continue,start等是进行式时，如：Thestudents are starting to work on the di fficult maths problem. ③begin,continue,start与know,understand等状态动词连用时，如：I soon began to understand what was happening. ⒋advise,allow,encourage,forbid,permit等动词后接动名词作宾语，或带不定式作宾语补足语。如： Our teachers don"t permit our swimming in the lake. Our teachers don"t permit us to swim in the lake. ⒌部分动词后接不定式或动名词时，意义差别较大，应根据句子语境选择使用。 ①forget,remember,regret后接不定式，表示现在或未来的动作，接动名词表示动作已经发生。如： Don"t forget fo post the letter for me. Have you forgotten meeting her in Beijing Airport? Remember to close the windows before you leave. I remember writing him a letter a year ago. We regret to tell you that all of you are not invited toattend the meeting. They regretted ordering these books from abroad. ②mean to do 打算做某事 doing 意味着…… I meant to catch up with the early bus. This means wasting a lot of money. ③try to do 设法尽力做某事 doing 试着做某事 You should try to overcome your shortcomings. Try working out the physics problem in another way. ④stop to do 停下一件事去做另一件事（不定式作目的状语） doing 停止做某事 On the way to the airport,I stopped to buy a paper. You"d better stop arguing and do as you are told. ⑤can"t help doing 禁不住…… to do不能帮助干…… They couldn"t help jumping up at the news. Sorry I have lots of work to do.So I can"t help to make up the room for you. ⑥go on to do 做不同的事或不同内容的事 doing 继续不停地做某事，指同一动作的继续 He went on to talk about world situation.他接着又谈了世界形势。 We"ll go on fighting so long as there is oppression inthe world. ⑦leave off to do 离开某地去干什么（目的状语） doing停下某事 It"s time to leave off talking and to start acting. They left off to go fishing. 三、做表语 不定式作表语表示具体动作或将来动作；动名词作表语表示抽象的一般行为。 ①To be kind to the enemy is to be cruel to the people. ②My chief purpose is to point out the difficulties ofthe matter. ③What I would suggest is to put off the meeting. 当主语和表语都是不定式时，的名词词组（例②）时，或以what引导的名词性分句（例③），不定 式说明主语的内容。 ④Our work is serving the people. ⑤What he likes is taking a walk after supper. ⑥The story told by Mr.Wang is interesting. ④⑤句动名词作表语，与主语部分可以转换，如Serving thepeople is out work,而⑥句中是现在分词作 表语，说明主语的性质、状态，现在分词具有形容词的各种特征，另外，动名词作表语还应与进行时态区别开 来。

When someone faces to mirror

望远山乔纳森·谢尔1 1945年8月9日，一颗原子弹投向长崎。当天，在日军中服役的摄影师山端庸介被派遣到这座已遭毁灭的城市。他第二天拍摄的百来张照片可谓现存最完整的核毁灭威力的影像记录。此前3天也遭遇毁灭的广岛在轰炸的第一天基本没被相机拍摄下来。山端碰巧有条不紊地用伟大而简洁的艺术手法记录下了核武器爆炸后仅仅数小时对人类的影响。山端的部分照片展示了被核火球以其独特的方式烧焦了的尸体。他们是被光烧焦的——用专业术语来说，他们是被“热脉冲”烧焦的——尸体通常都烙上了衣服的图案，因为不同的颜色吸光程度不同。一张照片拍下了一匹身形扭曲的马儿蜷缩在它拉的大车下面。另一张显示了一堆悬挂在突出物上面伸进沟渠的东西，看得出这也是一个人的遗骸。第3张照片中有个小女孩站在防空洞入口处，不知何故她虽经历劫难却毫发无伤。她脸上露出诡异的笑容，令人震撼。如果不是这张照片，在我们现在见证的场景中，原先的日常生活已一去不返。大片茫茫的废墟瓦砾一直伸向远方，残火零落其间，而这片景象的背景则是绵延的大山。我们能遥望远山，正因为整个城市已化为焦土。城市的灰飞烟灭比断壁残垣更能说明问题的核心本质。这一事件的真正效应不在于城市还剩下什么，而在于消失的一切。2 美国使用世界上第2颗原子弹将长崎夷为平地仅仅用了几秒钟，然而，山端拍摄这一事件的照片从长崎辗转回到美国却用了50年之久。照片第一次在美国展出是在1995年，展出地点是纽约国际摄影中心。迟到了半个世纪，这些照片仍然带有新闻效应。这些照片展示的是单个城市的命运，但却带有普遍意义，因为在我们这个核武器时代，发生在长崎身上的灾难也可能在转瞬之间发生在世界任何一个城市身上。通过这些照片，长崎为自己正名。它一直存在于广岛的阴影中，因为似乎人类的想象力到达广岛这第一个被毁灭的城市的废墟之后便裹足不前、消失殆尽了，以至于连长崎的边缘都到达不了。然而，长崎的灭顶之灾在某些方面恰恰是笼罩在我们头顶上的核威胁阴云的更有力的象征。它证明人类一旦大开核武器杀戒，就会重蹈覆辙。它带来了系列破坏的概念，就是说，有成千上万的核武器持续存在，我们每个人都有可能受到威胁。(第2颗原子弹原定是投向小仓的，只是后来因为天气恶劣，空中视线不佳，这才使小仓免遭长崎的厄运。这说明了核武器系列性威胁捉摸不定、难以预测的性质。)因此，与其说每张照片似乎记录了半个世纪之前发生的景象，还不如说它是嵌在摄影中心墙上的一扇窗户，透过它人们能看到也许很快就会轻而易举地发生在纽约的事情。而且，无论这些展品到达何方，这些“视窗”展示的遭受威胁的未来景象都大致准确，因为尽管每个完好无损的城市和其他城市都大不相同，任何遭遇核毁灭打击的城市面貌都将相差无几。3 山端的照片使人们对世界末日可以管中窥豹。然而，在这个时代，我们的挑战不仅是认识核威胁的存在，还要抓住这个天赐良机彻底消灭核威胁。所以，除了这些照片，我们还需要其他照片来抵消遭受毁灭的长崎带来的负面感受；我们需要的照片所展示的不是我们通过失败会失去的事物，而是通过成功我们能得到的东西。但是，这该是什么样的照片？你如何展示和世界末日截然相反的另一面？是长崎在投弹前完好无缺、生机勃勃的照片吗？抑或是逃过一劫的小仓？或者是一个儿童，还是一位母亲和她的孩子，抑或是地球本身？没有一张能充分达到目的。原因是我们如何能以有限之形式来展现现在和将来气象万千的全人类生机无限的一个个鲜活生命？面对世界末日或世界未来，想象力的确力不从心。只有行动能令人满意。4 过去，新生代降临人世乃自然而然之事。现在，他们只有依靠今人充满信仰的行动和集体意志才能到来，我们必须保障他们存在的权利。当今世人最重大的责任就是采取这样的行动。时间的礼物永远是生命的礼物，前提是我们必须懂得如何接受这样的礼物。原文A View of MountainsJonathan Schell1.On August 9, 1945, the day the atomic bomb was dropped on Nagasaki, Yosuke Yamahata, aphotographer serving in the Japanese army, was dispatched to the destroyed city. The hundred or so pictures he took the next day constitute the fullest photographic record of nuclear destruction inexistence. Hiroshima, destroyed three days earlier, had largely escaped the camera"s lens in the first day after the bombing. It was therefore left to Yamahata to record, methodically －and, as ithappens, with a great and simple artistry – the effects on a human population of a nuclear weapon only hours after it had been used. Some of Yamahata"s pictures show corpses charred in the peculiar way in which a nuclear fireball chars its victims. They have been burned by light – technicallyspeaking, by the “thermal pulse” －and their bodies are often branded with the patterns of theirclothes, whose colors absorb light in different degrees. One photograph shows a horse twisted under the cart it had been pulling. Another shows a heap of something that once had been a human being hanging over a ledge into a ditch. A third shows a girl who has somehow survived unwoundedstanding in the open mouth of a bomb shelter and smiling an unearthly smile, shocking us with the sight of ordinary life, which otherwise seems to have been left behind for good in the scenes we are witnessing. Stretching into the distance on all sides are fields of rubble dotted with fires, and, in the background, a view of mountains. We can see the mountains because the city is gone. That absence, even more than wreckage, contains the heart of the matter. The true measure of the event lies not in what remains but in all that has disappeared.2.It took a few seconds for the United States to destroy Nagasaki with the wo rld"s second atomicbomb, but it took fifty years for Yamahata"s pictures of the event to make the journey back fromNagasaki to the United States. They were shown for the first time in this country in 1995, at theInternational Center for Photography in New York. Arriving a half-century late, they are still news.The photographs display the fate of a single city, but their meaning is universal, since, in our age of nuclear arms, what happened to Nagasaki can, in a flash, happen to any city in the world. In thephotographs, Nagasaki comes into its own. Nagasaki has always been in the shadow of Hiroshima, as if the human imagination had stumbled to exhaustion in the wreckage of the first ruined city without reaching even the outskirts of the second. Yet the bombing of Nagasaki is in certain respects the fitter symbol of the nuclear danger that still hangs over us. It is proof that, having once used nuclearweapons, we can use them again. It introduces the idea of a series －the series that, with tens of thousands of nuclear weapons remaining in existence, continues to threaten everyone. (The unpredictable, open-ended character of the series is suggested by the fact that the second bomb originally was to be dropped on the city of Kokura, which was spared Nagasak i"s fate only because bad weather protected it from view.) Each picture therefore seemed not so much an image of something that happened a half-century ago as a window cut into the wall of the photography center showing what soon could easily happen to New York. Wherever the exhibit might travel, moreover, the view of threatened future from these “windows” would be roughly accurate, since, although every intact city is different from every other, all cities that suffer nuclear destruction will look much the same.3.Yamahata"s pictures afford a glimpse of the end of the world. Yet in our day, when the challenge is not just to apprehend the nuclear peril but to seize a God-given opportunity to dispel it once and for all, we seem to need, in addition, some other picture to counterpoise against ruined Nagasaki －one showing not what we would lose through our failure but what we would gain by our success. What might that picture be, though? How do you show the opposite of the end of the world? Should it be Nagasaki, intact and alive, before the bomb was dropped －or perhaps the spared city of Kokura?Should it be a child, or a mother and child, or perhaps the Earth itself? None seems adequate, for how can we give a definite form to that which can assume infinite forms, namely, the lives of all human beings, now and in the future? Imagination, faced with either the end of the world or its continuation, must remain incomplete. Only action can satisfy.4.Once, the arrival in the world of new generations took care of itself. Now, they can come into existence only if, through an act of faith and collective will, we ensure their right to exist. Performing that act is the greatest of the responsibilities of the generations now alive. The gift of time is the gift of life, forever, if we know how to receive it.

>表示重新写入，>>表示继续写入$LOG是一个变量名，可以自由设置，并不是固定的，一般脚本开头有相关变量1表示普通信息，2表示错误信息，意思就是如果出现错误或者警告，写入到$LOG这个变量指向的文件

暗恋 Amour secret Amour secret, obligés de se cacher 暗恋，被迫着掩藏 Amour secret, toujours dissimulé 暗恋，终日里伪装 Amour secret, pas le droit de le dire 暗恋，不能对他直说 Amour secret, condamnés à mentir 暗恋，总是要说谎 Quand on voudrait 当我想 Crier au monde entier 对着全世界喊出 Son bonheur et sa joie 相爱的幸福和欢乐 De s07aimer si fort que ca 它们是这么强烈 Mais toi et moi 然而你和我 N07en n07avons pas encore le droit 从未表白过 Amour secret, cacher tous ses sentiments 暗恋，掩藏所有的感情 Amour secret, s07empêcher tout le temps 暗恋，总是欲言又止 Amour secret, ne pas pouvoir t07embrasser 暗恋，当我情愿在你的双唇中逝去 Quand je voudrais mourir dans tes baisers 却无法与你接吻 Quand il faudrait 当我必须 Crier au monde entier 对着全世界喊出 Mon bonheur et ma joie 相爱的幸福和欢乐 De t07aimer si fort que ca 我对你的爱是这么强烈 Mais toi et moi 然而你和我 N07en n07avons pas encore le droit 从未表白过 Est-ce qu07un matin enfin 终于有一个清晨 Tu me prendras la main 你牵起我的手 Sans avoir peur des autres 不再害怕别人的目光 Sans que t07aimer soit une faute 爱你不再是一种错误 Oui je voudrais 是的 我希望 Crier au monde entier 对着全世界喊出 Mon bonheur et ma joie 相爱的幸福和欢乐 De t07aimer si fort que ca 我对你的爱是这么强烈 Mais toi et moi 然而你和我 N07en n07avons pas encore le droit 从未表白过 Oui toi et moi 是的 你和我 N07en n07avons pas encore le droit 从未表白过

B. will he break 因为I am certain 后是一个从句, 句首是否定意义的短语by no means , 从句就要用倒装句, 再根据句意可知, "他不会食言", 应用将来时态而不能用过去时态, 所以答案为B.句意: 我肯定他绝不会食言, 因为他已经承诺给穷人一大笔钱.

一生很长，而爱无疆 Life is very long, and boundless love. 与你同行，不介路远 With you, not far away. 南风未起，念你成疾 Have you read from the south. 喜你为疾，药石无医 Love you for disease, medicine without doctor. 心事很多，你别戳破 A lot of things you don"t break. 一别两宽，各自生欢 One is two wide, and each is happy. 我爱过你，利落干脆 I love you, and it"s crisp. 不谈亏欠，只谢遇见 If you don"t owe you, thank you. 从此山水不相逢，不问旧人长与短 From then on, the mountains and rivers do not meet, not the old man and the short.

为您解答可以修饰人的众多，没问题。比如It"s insane to watch, to witness how these songs impacted such a boundless amount of people at the height of their novelty.

Blue mountain

Cool fog in the morningLike cotton on the treesQuiet enough to hear a songIn the humming of the beesFloating out from the highwaySaying, come on up my wayThrough the tall grass in the valleyWhere the earth and Heaven meetWon"t you come on up to Blue MountainAbove the clouds and busy crowdsIt"s where you wanna beWon"t you come on up to Blue MountainWhere the time crawls and the water fallsBlue Mountain majestySend a postcard to your sweetheartTake a picture by the signSee all the way to seven statesAnd the coast if the weather"s rightIt"s always right, it"s paradiseIt"s like you"ve never seenTake a nap under a hickoryAnd wake up in a dreamWon"t you come on up to Blue MountainAbove the clouds and busy crowdsYou swear you"ll never leaveWon"t you come on up to Blue MountainWhere the time crawls and the water fallsBlue Mountain majesty中文让我翻译一会百度HI给你，分给我吧~

Chinese food is famous all over the world. 中餐闻名世界。

arrive是瞬间性动词，意思就是说“到达”这个动作是瞬间性的，不是持续性的，因为你总不能说“我一直到达，我持续到达”，这在逻辑上是不通的。再来看你这道题，“就好像我到达了外星球”，“到达”是瞬间性动词，“我到达”这个动作在我说“Yeah. They make me think I＿＿＿on an alien planet”之前已经发生了，换言之，在我说这句话之前，我已经到达了，所以就要用完成时态，因为我已经完成“到达”这个动作了。

刷很多ROM的时候都要求WIPE之后 点 mount system等等之类的，mount system这个选项点一下就会变成unmount system那么点mount system的意思 是要把所有的都点成 mount XX 还是把所有的都点成unmount xx翘首企盼指点中。

歌曲名:My Cherie Amour歌手:The Nylons专辑:Run For CoverStevie WonderMy Cherie AmourThe Very Best OfLa la la la la laLa la la la la laMy Cherie Amour, lovely as a summer"s dayMy Cherie Amour, distant as the Milky WayMy Cherie Amour, pretty little one that I adoreYou"re the only girl my heart beats forHow I wish that you were mineIn a cafe or sometimes on a crowded streetI"ve been near you, but you never notice meMy Cherie Amour, won"t you tell me how could you ignoreThat behind that little smile I woreHow I wish that you were mineLa la la la la laLa la la la la laLa la la la la laLa la la la la laMaybe someday you"ll see my face among the crowdMaybe someday I"ll share your little distant cloudOh, Cherie Amour, pretty little one that I adoreYou"re the only girl my heart beats forHow I wish that you were mineLa la la la la laLa la la la la laLa la la la la laLa la la la la lahttp://music.baidu.com/song/8916946

collect stamps play chess climb a mountain

不需要onmouseover这个事件，div层可以直接通过css控制你要的效果，如下：<styletype="text/css">.div1{background:#FF0000;}.div1:hover{background:#99FFFF;}</style><divclass="div1"><p>文字背景原本是红色的鼠标放在图层上变成别的颜色</p></div>感觉还行就选为标准答案吧

主要是你那个onmouseout在作怪

你都给四个元素绑定事件，可以使用addEventLister进行监听，绑定事件之后输入console.log()看会不会执行

是不是没调用JQ库

我按你的要求简单做了个<script> function a(x){ if(x=="tab1"){ document.all.div1.style.display="block"; }} function b(){ document.all.div1.style.display="none"; } </script> <table width="120" height="32" border="0" align="center" onmouseover="a(this.name);" onmouseout="b()" id="tab1" name="tab1"> <tr> <td align="center" bgcolor="#CCFFCC" onmouseover="if(true) this.style.cursor="hand";" ><strong>副经理</strong></td> </tr></table><table width="289" height="36" border="0" align="center" id="div1" style="display:none" name="div1"> <tr> <td width="92" align="center" bgcolor="#99FFFF">生产副经理</td> <td width="90" align="center" bgcolor="#99FFFF">财务副经理</td> <td width="93" align="center" bgcolor="#99FFFF">合同副经理</td> </tr></table>看看效果，如果不是你想要的，你就照这思路自己改改吧！

这个跟onmouseover是无关的 firefox默认鼠标放在链接上也是小手的标志 你要自定义鼠标样式的话firefox是不支持的

tabit 表示一个JS方法，this表示当前这个ID

不太清楚具体咋回事，把JS在最后引入试试。

你这个panel和标注marker是自己定义的吗？如果是直接调用的百度的接口是不能添加事件的 除非自己定义的如下： localSearch.setSearchCompleteCallback(function (searchResult) { var poi = searchResult.getPoi(0); var marker = new BMap.Marker("南京市",13); map.addOverlay(marker); //自定义标注内容 var content = document.getElementById("text_").value + "<br/><br/>名称：" + poi.title + "<br/>地址：" + poi.Address; var infoWindow = new BMap.InfoWindow("<p style="font-size:14px;">" + content + "</p>"); marker.addEventListener("click", function () { this.openInfoWindow(infoWindow); }); });

$(this).children("td").eq(1).html()

function test(){//这里写你的代码}document.getElementById("flash").attachEvent(test);

试试这个 document.getElementById("tnf2").onmouseover = function fnc(){ var obj = document.getElementById("floatImg"); obj.style.display=""; }

写个函数吧．要不简单的写个行间．<input type="button" value="确定" onmouseover="this.value="谢谢"" /> 鼠标滑开再回来．还是同一个input内写．<input type="button" value="确定" onmouseover="this.value="谢谢"" onmouseout="this.value="确定"" />

$("input").hover(function() { $("#div1").show(); },function() { $("#div1").hide();});

onmouseover=“alert("nide ");""

<!DOCTYPE html><html><head><meta charset="UTF-8"><title></title><style>.div{width: 480px;height: 300px;overflow: hidden;}.div>img{transform: scale(1);transition: transform 0.5s ease;}.div>img:hover{transform: scale(1.1);}</style></head><body><div class="div"><img src="img/qc.jpg" /></div></body></html>

setTimeinterval 这个函数，具体你再查一下

String str1="hello";String str2="world";Button2.Attributes["onmouseover"]="showinfo(""+str1+"",""+str2+"")";前端：var showinfo=function(a,b){ alert(a+b);}

var inputs = document.getElementsByClassName("input3");for(var i = 0; i < inputs.length; i++){inputs[i].onmouseover = function(){this.select();}}

onmouseover 属性在鼠标指针移动到元素上时触发。注释：onmouseover 属性不适用以下元素：<base>、<bdo>、<br>、<head>、<html>、<iframe>、<meta>、<param>、<script>、<style> 或 <title>。onmouseout 事件会在鼠标指针移出指定的对象时发生。onclick 事件会在对象被点击时发生。请注意， onclick 与 onmousedown 不同。单击事件是在同一元素上发生了鼠标按下事件之后又发生了鼠标放开事件时才发生的。

在Visual Basic中，可以利用鼠标事件来使应用程序对鼠标的位置和状态作出响应，如单击、双击、移动、松开鼠标键和按下鼠标键等。一、onMouseOver的用法。松开鼠标键就是onMouseOver，发生在松开鼠标的时候。可以利用松开鼠标键的事件来代替单击事件。这样做的好处是可以在检测鼠标键的同时，检测你所按下的键盘上的功能键，如控制键。二、onMouseMove的用法。鼠标移动事件即onMouseMove，发生在鼠标滑动的时候。鼠标在对象上移动的时候，这个事件将一直发生。但是，不是对鼠标经过的每个像素，Visual Basic都会生成鼠标移动事件。操作环境一秒生成有限的鼠标消息。并且，鼠标指针移动得越快，在任意两点之间所能识别的鼠标移动事件就越少。应用程序能在极短的事件内识别大量鼠标移动的事件。因此，一个鼠标移动事件过程不应去做那些需要大量计算时间的工作。否则可能会引发意想不到的结果，或者使程序的运行变得非常缓慢。

在Visual Basic中，可以利用鼠标事件来使应用程序对鼠标的位置和状态作出响应，如单击、双击、移动、松开鼠标键和按下鼠标键等。一、onMouseOver的用法。松开鼠标键就是onMouseOver，发生在松开鼠标的时候。可以利用松开鼠标键的事件来代替单击事件。这样做的好处是可以在检测鼠标键的同时，检测你所按下的键盘上的功能键，如控制键。二、onMouseMove的用法。鼠标移动事件即onMouseMove，发生在鼠标滑动的时候。鼠标在对象上移动的时候，这个事件将一直发生。但是，不是对鼠标经过的每个像素，Visual Basic都会生成鼠标移动事件。操作环境一秒生成有限的鼠标消息。并且，鼠标指针移动得越快，在任意两点之间所能识别的鼠标移动事件就越少。应用程序能在极短的事件内识别大量鼠标移动的事件。因此，一个鼠标移动事件过程不应去做那些需要大量计算时间的工作。否则可能会引发意想不到的结果，或者使程序的运行变得非常缓慢。

在Visual Basic中，可以利用鼠标事件来使应用程序对鼠标的位置和状态作出响应，如单击、双击、移动、松开鼠标键和按下鼠标键等。一、onMouseOver的用法。松开鼠标键就是onMouseOver，发生在松开鼠标的时候。可以利用松开鼠标键的事件来代替单击事件。这样做的好处是可以在检测鼠标键的同时，检测你所按下的键盘上的功能键，如控制键。二、onMouseMove的用法。鼠标移动事件即onMouseMove，发生在鼠标滑动的时候。鼠标在对象上移动的时候，这个事件将一直发生。但是，不是对鼠标经过的每个像素，Visual Basic都会生成鼠标移动事件。操作环境一秒生成有限的鼠标消息。并且，鼠标指针移动得越快，在任意两点之间所能识别的鼠标移动事件就越少。应用程序能在极短的事件内识别大量鼠标移动的事件。因此，一个鼠标移动事件过程不应去做那些需要大量计算时间的工作。否则可能会引发意想不到的结果，或者使程序的运行变得非常缓慢。

触发对象不同！！！比如说后面一个针对的是a标签里时触发。。。body整个页面布局都在body里，显然主要在body里时都会触发事件！

没必要 鼠标经过显示隐藏效果 完全可以用 CSS的 hover 来实现

你不如直接说你想实现什么功能

把事件写一起class abc(){........;}onmouseover="javascript:abc();"

在 function GUI () ｛｝里 但是 具体怎么用 看看帮助 文件查Gui 就出来了 应该有写

for(i=0;i<lis.length;i++){ lis[i].onmouseover=fun(i) }function fun(i){ this.style.backgroundPosition="left "+(-2-i*36)+"px" }

看下是不有单词什么的写错了。或者多个符号什么的。

<html><head></head><body><img src="1.jpg" id="btn1"/><script type="text/javascript">document.getElementById("btn1").onmouseover=function(){alert("您的鼠标会弹出");}</script></body></html>这样也行的哦；alert()不是事件，不能作为事件赋值给onmouseover的

你可以在OnMouseOver 事件的方法里把事件清除就行了例：<a onmousemove="a()" id="dd">dddddddddddd</a><script type="text/javascript"> function a(){ var dd=document.getElementById("dd"); dd.style.fontSize="18px"; dd.onmousemove=""; }</script>

给您截段代码吧 希望对您有所帮助<style>.button-normal{border:groove 1px #ffffff;border-bottom:groove 1px #666666;border-right:groove 1px #666666;background-image:url(button-bg03.gif);background-repeat:repeat-x;background-color:Transparent;height:20px;event:expression(onmouseover = function(){ this.style.backgroundColor="red"},onmouseout = function(){ this.style.backgroundColor="#ffffff" })}</style><body><input type=button value="click me" class="button-normal"></body>

document.getElementById("divID").onmouseover= function () { alert("a")};

　onmouseover 事件会在鼠标指针移动到指定的对象上时发生。　　onclick 事件会在对象被点击时发生。　　请注意， onclick 与 onmousedown 不同。单击事件是在同一元素上发生了鼠标按下事件之后又发生了鼠标放开事件时才发生的。