关于春的词语春的词语有哪些

描写春的词语有：1、莺吟燕儛形容春天鸟儿喧闹活跃的景象。同“莺歌燕舞”。2、春暖花开春天气候温暖，百花盛开，景色优美。比喻游览、观赏的大好时机。3、春深似海春天美丽的景色像大海一样深广。形容到处充满了明媚的春光。4、春色满园园内到处都是春天美丽的景色。比喻欣欣向荣的景象。5、枯木逢春比喻重获生机。6、欣欣向荣形容草木长势繁盛。晋陶潜《归去来辞》：“木欣欣以向荣。”后比喻事业蓬勃发展，兴旺昌盛。7、生机勃勃形容自然界充满生命力，或社会生活活跃。8、绿草如茵绿油油的草好像地上铺的褥子。常指可供临时休憩的草地。亦作“碧草如茵”。9、花团锦簇像花朵、锦绣汇聚在一起。形容五彩缤纷、灿烂绚丽的景象。10、莺歌燕舞黄莺歌唱，燕子飞舞，形容大好春光或比喻大好形势。11、杏花春雨初春杏花遍地、细雨润泽的景象。12、乍暖还寒形容冬末春初气候忽冷忽热，冷热不定。13、湖光山色湖和山相映衬的秀丽景色。14、绿肥红瘦绿叶茂盛，花渐凋谢。指暮春时节。也形容春残的景象。15、大地回春指冬去春来，草木萌生，大地上出现一片生机景象。有时亦用比喻形势好转。

描写春天的四字成语有：满面春风、春山如笑、春光明媚、春树暮云、百花争艳、春深似海、春满人间、春光无限、含苞欲放、桂子飘香、寻花问柳、春风风人、桃红柳绿、万物复苏等。常见和春天相关四字成语的含义如下，春和景明：春光和煦，风景鲜明艳丽；春暖花开：春天气候温暖，百花盛开，景色优美；含苞欲放：苞指的是花苞，欲指的是将要开放的意思，一般用来形容花将开而未开时的状态。春天，又称春季，是四季中的第一个季节，指立春至立夏期间。

《春夜喜雨》【唐】杜甫好雨知时节,当春乃发生.随风潜入夜,润物细无声.野径云俱黑,江船火独明.晓看红湿处,花重锦官城.《咏柳》【唐】贺知章碧玉妆成一树高,万条垂下绿丝绦.不知细叶谁裁出,二月春风似剪刀.《大林寺桃花》 【唐】白居易人间四月芳菲尽,山寺桃花始盛开.长恨春归无觅处,不知转入此中来.《钱塘湖春行》 【唐】白居易孤山寺北贾亭西,水面初平云脚低.几处早莺争暖树,谁家新燕啄春泥.乱花渐欲迷人眼,浅草才能没马蹄.最爱湖东行不足,绿树阴里白沙堤.《春晓》【唐】孟浩然春眠不觉晓,处处闻啼鸟.夜来风雨声,花落知多少.《惠崇〈春江晚景〉》【宋】苏轼竹外桃花三两枝,春江水暖鸭先知.蒌蒿满地芦芽短,正是河豚欲上时.《游园不值》【宋】叶绍翁应怜屐齿印苍苔,小扣柴扉久不开.春色满园关不住,一枝红杏出墙来.《春日》【宋】朱熹胜日寻芳泗水滨,无边光景一时新.等闲识得东风面,万紫千红总是春.

1.酣春：春色正盛。例“劳劳胡燕怨酣春”。　　2.仲春：孟春之后阴历二月为仲春。　　3.残春：余春。　　4.熙春：和煦的春天。　　5.新春：春节过后的一天泛称新春。如“新春佳节”“恭贺新春”。　　6.孟春：四季节令中的第一个月。春天开头的第一个月。　　7.余春：犹暮春，晚春。　　8.阳春：泛指春天而言。例：“阳春三月好风光。”　　9.初春：春季开头的时节。例：“初春之风仍有凉意。”　　10.春季：一年的第一季，我国习惯指立春到立夏的三个月时间，也指农历“正三”三个月。　　11.暮春：晚春。如“暮春三月”。　　12.早春：初春。如“早春二月”。　　13.春令：春季。例：“严冬已过，春令已到。”注意：春令，也表示春季的气候。如“冬行春令”。　　14.季春：指春季的末一个月。　　15.艳阳天：明媚的春天。如“九九艳阳天”。　　16.春天：春季。例：“明媚的春天，万物充满了生机。”　　17.晚春：春之末。　　18.开春：春初（一般指农历正月或立春前后）。例：“开春农村又将是一番繁忙的景象。”　　19.春雷：春天打的雷。如“春雷一声惊天地”，“春雷催耕”。　　20.春汛：春天的潮汛。　　21.韶光：美丽的春光。例，“韶光染色如蛾翠，绿湿红鲜水容媚”。也比喻美好的青年时代。　　22.春：春季；一年的第一季。如“四季如春”，“一年之计在于春”。可组成“春景”、“春光”、“温暖如春”等。　　有关春天的词语解释（二）　　1.着手成春：着手：动手。一着手就转成春天。原指诗歌要自然清新。后比喻医术高明，刚一动手病情就好转了。　　2.雨后春笋：指春天下雨后，竹笋一下子就长出来很多。比喻新生事物迅速大量地涌现出来。　　3.草长莺飞：莺：黄鹂。形容江南暮春的景色。　　4.拔地参天：拔地：从地面上陡然耸立。参天：高耸到空中。形容高大和气势雄伟。同“拔地倚天”。

春雨贵如油。

安居

春暖花开 春风送暖 春风拂面 满面春风 春光无限 四季回春绿草如荫 春风和气 春光漏泄 春光明媚 春花秋月 春华秋实春晖寸草 春回大地 春兰秋菊 春色撩人 春色满园 春山如笑春深似海 春生秋杀 春生夏长 春笋怒发 春蛙秋蝉 春意盎然春意阑珊 红情绿意 花红柳绿 枯木逢春 柳暗花明 漏泄春光满园春色 鸟语花香 双柑斗酒 寻花问柳 雨丝风片 莺歌燕舞雨后春笋 百花齐放 姹紫嫣红 出水芙蓉 繁花似锦 凡桃俗李纷纷扬扬 风吹雨打 含苞待放 含苞欲放 春和景明 春光明媚春寒料峭 百花盛开 大地回春 万物复苏 万木争春 万象更新万紫千红 阳春三月 乍暖还寒 风和日丽 和风细雨 气象万千欣欣向荣 春光融融 东风送暖 雪化冰消 春风宜人 春回大地万物复苏 春和景明 草长莺飞 含苞欲放 花枝招展 春寒料峭姹紫嫣红 春光满面 百花争艳 大地回春 欣欣向荣 鸟语花香万木争春 柳绿花红 冰雪融化 泉水丁冬 百花齐放 百鸟争鸣春天 早春 初春 阳春 春节 春联 春雷 春季 春意春蚕 春色 春装 新春 春光 春雨 春光 春潮 春游 春播 春笋春花 春树 暮春 春景早春时节 早春季节 初春时节 仲春时节 仲春季节阳春时节 正当春初 已届春残 残冬已过 冬残春近冬去春来 冬尽春来腊尽春回 时当暮春 早春三月 暮春三月阳春三月 烟花三春时当三月 春寒时节 春寒季节 春天渐近 春天来临 春天降临春令已到 春回大地 春归大地 春到人间 春满人间 大地加春天地加春 春回地暖 天加地转 冰雪消融 冰融雪消 冰消雪化冰消雪融 天地回转 冰雪融化 雪化冰消 万物解冰 风和日丽风和日暖 风暖日丽 日暖风清 风清日暖 料峭春寒 乍暖乍寒春寒料峭 乍暖还寒 暮春气暖 和暖如春 春光融融 春日融融春意融融 春光溶溶 春水盈盈 春水淙淙 春水湍湍 春水潺潺春雨绵绵 春草如丝 春草繁茂 春草发芽 春芽破土 春花怒放春花盛开 春花万朵 春木发枝 春大蔚然 春树萌芽 春树葱茏春树繁茂 春阳和煦 春光初露 春光荡漾 春光明媚 春光无限春光万里 春光勃发 春光艳丽 春风送暖 春风得意 春风和煦春风轻拂 春风瑞雪 春山如笑 春山如黛 春意正浓 春意甚浓春色怡人 春色迷人 春色正浓 春江如练 春山如妆 春和景明春景优美 春燕回巢 春满人间 春露秋霜 春种秋收 春暖花开满园春色 百草萌动 百草权舆 百花争春 百花争艳 百花盛开百花齐发 百鸟争鸣 万物照苏 万物复苏 万物苏醒 万物萌生万物蓬发 万木竞秀 万紫千红 草木知春 草木复苏 草木新绿草春桃艳 草长莺飞 花红柳绿 红桃绿柳 柳绿花红 李白桃红柳绿花香 红情绿意 绿肥红瘦 流水桃花 桃花流水 飞花喷绿枝叶纷披 寸草春晖 绿意盎然 绿茵遍地 鸟语花香 莺舞蝶飞枯木逢春 山色返青 冬令春行 万物生春 大雁北归 大地苏醒蛰虫昭苏 欣欣向荣 生机勃勃 朝气逢勃 人勤春早 梅雪争春莺啼燕语 明媚春天 遍地皆春 满目春光 暮春风光

　　描写春天的词语成语1 　　 春冰虎尾chūn bīng hǔ wěi 　　成语解释：踩着老虎尾巴，走在春天将解冻的冰上。比喻处境非常危险。 　　 寸草春晖cùn cǎo chūn huī 　　成语解释：寸草：小草；春晖：春天的阳光。小草的心意；难以报答春天的恩惠。比喻子女报答不尽父母养育之恩。 　　 春风和气chūn fēng hé qì 　　成语解释：春天和煦的春风吹拂着人们。比喻对人态度和蔼可亲。 　　 春风雨露chūn fēng yǔ lù 　　成语解释：像春天的和风和雨滴露水那样滋润着万物的生长。旧常用以比喻恩泽。 　　 春光明媚chūn guāng míng mèi 　　成语解释：明媚：鲜艳可爱；形容春天的景物十分美好。 　　 春晖寸草chūn huī cùn cǎo 　　成语解释：春晖：春天的阳光；比喻父母对儿女的慈爱抚养。寸草：一寸长的小草；比喻子女对父母的"养育之恩的无限感戴心情。 　　 春回大地chūn huí dà dì 　　成语解释：好象春天又回到大地。形容严寒已过，温暖和生机又来到人间。 　　 春华秋实chūn huá qiū shí 　　成语解释：华：古同“花”。春天盛开的花；秋天结的果。比喻文采和德行。有时也比喻学问和品德修养之间的关系。 　　 春花秋实chūn huā qiū shí 　　成语解释：见“春华秋实”。 　　 春花秋月chūn huā qiū yuè 　　成语解释：春天的花朵，秋天的月亮。泛指春秋美景。 　　 春兰秋菊chūn lán qiū jú 　　成语解释：春天的兰花；秋天的菊花；各自在自己开花的季节显示出秀美。比喻各擅其美；各有所长。 　　 春暖花开chūn nuǎn huā kāi 　　成语解释：春天气候温暖；百花盛开。形容美丽的景色。比喻事物得以顺利发展的良好环境或机遇。 　　 春暖花香chūn nuǎn huā xiāng 　　成语解释：形容春天美丽的景色 　　 春去秋来chūn qù qiū lái 　　成语解释：春天过去，秋天到来。形容时光流逝 　　 描写春天的成语2 　　百草权舆 　　半晴半阴 　　傍柳随花 　　触手生春 　　春冰虎尾 　　春蚕自缚 　　春风风人，夏雨雨人 　　春风和气 　　春风雨露 　　春光漏泄 　　春光明媚 　　春花秋实 　　春花秋月 　　春华秋实 　　春晖寸草 　　春回大地 　　春来秋去 　　春兰秋菊 　　春暖花开 　　春暖花香 　　春去冬来 　　春去秋来 　　春去夏来 　　春色撩人 　　春色满园 　　春色恼人 　　春山如笑 　　春深似海 　　春生秋杀 　　春生夏长，秋收冬藏 　　春事阑珊 　　春笋怒发 　　春蛙秋蝉 　　春宵苦短 　　春意盎然 　　春意阑珊 　　寸草春晖 　　和风细雨 　　红情绿意 　　虎尾春冰 　　花红柳绿 　　花明柳暗 　　花明柳媚 　　花香鸟语 　　回春妙手 　　九春三秋 　　九十春光 　　枯木逢春 　　腊尽春回 　　腊尽春来 　　李白桃红 　　柳暗花明 　　柳绿花红 　　漏泄春光 　　漏洩春光 　　落花芳草无寻处 　　满园春色 　　觅柳寻花 　　妙手回春 　　暮云春树 　　鸟语花香 　　秋菊春兰 　　秋月春花 　　如履春冰 　　韶光淑气 　　时雨春风 　　双柑斗酒 　　万古长春 　　文如春华 　　问花访柳 　　问柳寻花 　　细雨和风 　　向阳花木 　　杏雨梨云 　　寻花觅柳 　　寻花问柳 　　燕语莺呼 　　阳和启蛰 　　野火烧不尽，春风吹又生 　　一阳复始 　　一阳来复 　　沂水春风 　　莺歌燕舞 　　莺歌燕语 　　莺吟燕舞 　　莺吟燕儛 　　有脚阳春 　　雨后春笋 　　雨丝风片 　　着手成春

时当三月春寒时节春寒季节春天渐近春天来临春天降临春令已到春回大地春归大地春到人间春满人间大地加春天地加春春回地暖天加地转冰雪消融冰融雪消冰消雪化冰消雪融天地回转冰雪融化雪化冰消万物解冰风和日丽风和日暖风暖日丽日暖风清风清日暖料峭春寒乍暖乍寒春寒料峭乍暖还寒暮春气暖和暖如春春光融融春日融融春意融融春光溶溶春水盈盈春水淙淙春水湍湍春水潺潺春雨绵绵春草如丝春草繁茂春草发芽春芽破土春花怒放春花盛开春花万朵春木发枝春大蔚然春树萌芽春树葱茏春树繁茂春阳和煦春光初露春光荡漾春光明媚春光无限春光万里春光勃发春光艳丽春风送暖春风得意春风和煦春风轻拂春风瑞雪春山如笑春山如黛春意正浓春意甚浓春色怡人春色迷人春色正浓春江如练春山如妆春和景明春景优美春燕回巢春满人间春露秋霜春种秋收春暖花开满园春色百草萌动百草权舆百花争春百花争艳百花盛开百花齐发百鸟争鸣万物照苏万物复苏万物苏醒万物萌生万物蓬发万木竞秀万紫千红草木知春草木复苏草木新绿草春桃艳草长莺飞花红柳绿红桃绿柳柳绿花红李白桃红柳绿花香红情绿意绿肥红瘦流水桃花桃花流水飞花喷绿枝叶纷披寸草春晖绿意盎然绿茵遍地鸟语花香莺舞蝶飞枯木逢春山色返青冬令春行万物生春大雁北归大地苏醒蛰虫昭苏欣欣向荣生机勃勃朝气逢勃人勤春早梅雪争春莺啼燕语明媚春天遍地皆春满目春光暮春风光

春暖花开、春色满园、春色满园草长莺飞、柳暗花明、鸟语花香、春意盎然、生机勃勃、春回大地、春色撩人、春意阑珊、花红柳绿、莺歌燕舞、红情绿意、春山如笑、春光漏泄、欣欣向荣、双柑斗酒、万紫千红、桃李争妍、百花齐放、百花齐放李白桃红、姹紫嫣红、绿肥红瘦、花明柳媚、柳亸莺娇、雨丝风片、柳莺花燕、朝气蓬勃杏雨梨云、春山如笑 春深似海 春生秋杀春笋怒发 春蛙秋蝉绽红泻绿 春意阑珊 红情绿意  春华秋实 春兰秋菊春光灿烂 

描写春天的好词两字词语早春 初春 阳春 春节 春联春雷 春季 春意 春蚕 春色新春 春雨 春光 春潮 春游春播 春笋 春花 春树 暮春四字词语春回大地 春归大地 春到人间春满人间 大地加春 春回地暖冰雪消融 料峭春寒 春日融融春雨绵绵 春花万朵 春树繁茂春光万里 春风轻拂 春色怡人春景优美 满园春色 百花齐发万物蓬发 草春桃艳 柳绿花香枝叶纷披 枯木逢春 春阳和煦春意正浓 春和景明 万物解冰乍暖还寒 春意融融 春草如丝春木发枝 春阳和煦 春光勃发春风瑞雪 春色迷人 春燕回巢百草萌动 百鸟争鸣 万木竞秀草长莺飞 红情绿意 寸草春晖山色返青 春光荡漾 春意甚浓春种秋收 风和日丽 春寒料峭春光溶溶 春草繁茂 春大蔚然春光初露 春光艳丽 春山如笑春色正浓 春满人间 百草权舆万物照苏 万紫千红 花红柳绿春意盎然 冬令春行 春暖花开风和日暖 春水盈盈 春草发芽春光荡漾 春风送暖 春山如黛春江如练 春露秋霜 百花争春万物复苏 草木知春 红桃绿柳流水桃花 绿茵遍地 春雨绵绵春风送暖 春色迷人 满园春色风暖日丽 暮春气暖 春水淙淙春芽破土 春树葱茏 春光明媚春风得意 春意正浓 春山如妆春种秋收 百花争艳 万物苏醒草木复苏 柳绿花红 鸟语花香春草如丝 春风和煦 春色正浓含苞绽蕾 日暖风清 和暖如春春水湍湍 春花怒放 暮春风光春光无限 春风和煦 春意甚浓春和景明 万物萌生 草木新绿李白桃红 飞花喷绿 莺舞蝶飞春风轻拂 春江如练 姹紫嫣红风清日暖 春光融融 春水潺潺满目春光 莺啼燕语 遍地皆春人勤春早 朝气逢勃 生机勃勃欣欣向荣 蛰虫昭苏 梅雪争春大雁北归 大地苏醒 万物生春春花盛开 春山如黛 春山如妆

春：春季；一年的第一季。如“四季如春”，“一年之计在于春”。可组成“春景”、“春光”、“温暖如春”等。[同义] 春天 春日 春季 春今 阳春 艳阳 春上 大春 三春 九春 青春 艳阳天 春景天[注] 春，也可以表示男女情欲。如“怀春”、“春心”、“春意”、“春情”、“撩拨春心”、“春心荡漾”。初春：春季开头的时节。例：“初春之风仍有凉意。”春季：一年的第一季，我国习惯指立春到立夏的三个月时间，也指农历“正、二、三”三个月。春令：春季。例：“严冬已过，春令已到。”注意：春令，也表示春季的气候。如“冬行春令”。春天：春季。例：“明媚的春天，万物充满了生机。”季春：指春季的末一个月。开春：春初（一般指农历正月或立春前后）。例：“开春农村又将是一番繁忙的景象。”孟春：四季节令中的第一个月。春天开头的第一个月。暮春：晚春。如“暮春三月”。晚春：春之末。新春：春节过后的一二十天泛称新春。如“新春佳节”、“恭贺新春”。阳春：泛指春天而言。例：“阳春三月好风光。”仲春：孟春之后阴历二月为仲春。早春：初春。如“早春二月”。余春：犹暮春，晚春。残春：余春。酣春：春色正盛。例“劳劳胡燕怨酣春”。熙春：和煦的春天。艳阳天：明媚的春天。如“九九艳阳天”。春风宜人：春天的和风使人感到舒适温暖。形容春天可爱。例：“春风宜人，鸟语花香，正是旅游的好季节。”春光明媚：春天的景色鲜明可爱。例：“春光明媚，百花争艳。”春光融融：春天的景色使人感到温暖、舒畅。例：“春光融融，杨柳依依，情意绵绵。”春暖花开：春天暖和，花儿开放。表示春天来临，春景优美。例：“春暖花开，香气四溢，游人如潮。”春意盎然：春天的气氛浓厚。例：“鸟啭莺啼，花红柳绿，到处春意盎然。”满园春色：春色满园，四处都是春天的景象。例：“满园春色关不住，一枝红杏出墙来。”大地回春：冬去春来。例：“大地回春，阳光普照，山河无限美好。”东风送暖：东风，春风。春风送来暖意，表示春天来到。例：“东风送暖，春回大地。”雪化冰消：冰雪融化，表示春天来临。例：“雪化冰消，万物复苏，又是春到人间。”与春关联的词和词组：大地回春 春回大地 万象回春 春回地暖 大地苏醒 万物复苏万木萌发 万象更新 蛰虫昭苏 春燕回巢 春生秋杀 一年之计在于春---------------------------------------------------------春播：春季播种。也作“春种”春耕：春季的耕种。如“春耕时节”。也作“春事”。春联：春节用的对联。同义还有：春帖 桃符 春条（方言）春汛：春天的潮汛。同义还有：桃汛 桃花汛 桃花水（春来遍是桃花水，不辨仙源何处寻）春游：春日郊游。同义还有：游春 踏春 踏青 探春 寻春 双柑斗酒（明日重来应烂漫，双柑斗酒听黄鹤）---------------------------------------------------------春风：开春后吹的风。如“春风解绿江南树”。和风：春天的温和的风。一般只用于指温和的风，含有宜人的情味。如“和风拂拂”；“和风吹拂，杨柳依依”。惠风：和风。书面语。例：“惠风和畅，拂人脸颊，使人感到无限舒服。”柔风：春风。例“时逝柔风戢，岁暮商猋飞。”东风：春风。例“孟春之月，东风解冻。”杨柳风：春风。如“吹面不寒杨柳风”。与春风关联的词：春风骀荡 春风荡荡 春风煦煦 春风送暖 春风曛暖 春风温煦 春风料峭---------------------------------------------------------春光：春天的景色。如“大好春光”。同义还有：春景 春色（春色迷人） 韶光：美丽的春光。例，“韶光染色如蛾翠，绿湿红鲜水容媚”。也比喻美好的青年时代。韶晖：明媚的景色。例，“织恨凝愁映鸟飞，半旬飘洒掩韶晖”。

描写春天的四字词语 ：1、春光明媚、春回大地、春暖花开、春意盎然2、春意正浓、风和日丽、春花烂漫、鸟语花香3、百鸟鸣春、莺歌燕舞、雨过天晴、细雨如丝4、春雨阵阵、含苞欲放、风和日丽、和风细雨5、柳绿花红、气象万千、欣欣向荣、莺歌燕舞6、春光明媚、春花秋月、春山如笑、春深似海7、春蛙秋蝉、绽红泻绿、春意阑珊、红情绿意8、春华秋实、春兰秋菊、春光灿烂、春风和气9、大地回春、春花怒放、春色撩人、春色满园10、淅淅沥沥、雨声沙沙、细雨淅沥、春雨连绵11、花红柳绿、花香鸟语、枯木逢春、漏泄春光12、双柑斗酒、寻花问柳、雨丝风片、草长莺飞13、纷红骇绿、风吹雨打、风花雪月、浮花浪蕊14、春意昂然、花枝招展、春风拂面、万木争春15、春山如黛、泉水丁冬、满园春色、春暖花开16、春光满面、春和景明、鸟语花香、草长莺飞17、百鸟争鸣、绿树成荫、百花齐放、姹紫嫣红18、春光融融、春雨绵绵、春草萋萋、山清水秀19、青山绿水、湖光山色、重峦叠嶂、古木参天20、冰雪融化、春风送暖、春江如练、春意盎然21、雪化冰消、东风送暖、万物复苏、百花盛开22、万象更新、万紫千红、阳春三月、乍暖还寒23、雨后春笋、有脚阳春、暗香疏影、桂馥兰香24、百花争艳、春寒料峭、倡条冶叶、尺树寸泓25、春风宜人、倡条冶叶、尺树寸泓、出水芙蓉26、摧兰折玉、繁花似锦、凡桃俗李、纷纷扬扬27、春光漏泄、春晖寸草、春回大地、孤标傲世

SD用佳能相机,extreme用索尼相机的.

没有，（我保证）

1、英语发音词典。 2、字典词典的英语怎么读。 3、词典的英语怎么读?。 4、词典的英文怎么读?。1.词典的英文单词为dictionary，读音为英[?d?k??nri]，美[?d?k??neri]。 2. 词典，工具书的一种，是收集词汇按某种顺序排列并加以解释供人检查参考的工具书。 3. 复数：dictionaries。 4. 例句：You can certainly use my dictionary.你当然可以用我的字典了。

对孩子的管理及家庭的矛盾引起的

terminus n. 终点；终点站；界标；界石extreme adj.尽头的;极度的 n. 极端；末端；最大程度；极端的事物后者形容人更合适，因为是形容词，形容词修饰名词

一般用星火英语词典 不错

1Beowulf is an Old English heroic epic poem of unknown authorship, dating as recorded in the Nowell Codex manuscript from between the 8th[1] to the early 11th century,[2] and relates events described as having occurred in what is now Denmark and Sweden. Commonly cited as one of the most important works of Anglo-Saxon literature, Beowulf has been the subject of much scholarly study, theory, speculation, discourse, and, at 3182 lines, has been noted for its length.3Sir Gawain and the Green Knight is a late 14th-century Middle English alliterative romance outlining an adventure of Sir Gawain, a knight of King Arthur"s Round Table. In the tale, Sir Gawain accepts a challenge from a mysterious warrior who is completely green, from his clothes and hair to his beard and skin. The "Green Knight" offers to allow anyone to strike him with his axe if the challenger will take a return blow in a year and a day. Gawain accepts, and beheads him in one blow, only to have the Green Knight stand up, pick up his head, and remind Gawain to meet him at the appointed time4A ballad is a poem usually set to music; thus, it often is a story told in a song[1]. Any myth form may be told as a ballad, such as historical accounts or fairy tales in verse form. It usually has foreshortened, alternating four-stress lines ("ballad meter") and simple repeating rhymes, often with a refrain5Robin Hood is an archetypal figure in English folklore, whose story originates from medieval times but who remains significant in popular culture where he is known for robbing the rich to give to the poor and fighting against injustice and tyranny. His band includes "three score" group of fellow outlawed yeomen – called his "Merry Men".[1] He has been the subject of numerous films, television series, books, comics, and plays. In the earliest sources Robin Hood is a commoner, but he would often later be portrayed as the dispossessed Earl of Huntingdon6Geoffrey Chaucer (c. 1343 – 25 October 1400?) was an English author, poet, philosopher, bureaucrat, courtier and diplomat. Although he wrote many works, he is best remembered for his unfinished frame narrative The Canterbury Tales. Sometimes called the father of English literature, Chaucer is credited by some scholars as the first author to demonstrate the artistic legitimacy of the vernacular English language, rather than French or Latin.7heroic couplet is a traditional form for English poetry, commonly used for epic and narrative poetry; it refers to poems constructed from a sequence of rhyming pairs of iambic pentameter lines. The rhyme is always masculine. Use of the heroic couplet was first pioneered by Geoffrey Chaucer in the Legend of Good Women and the Canterbury Tales. Chaucer is also widely credited with first extensive use of iambic pentameter8The Authorized King James Version is an English translation of the Christian Bible begun in 1604 and first published in 1611 by the Church of England. The Great Bible was the first "authorized version" issued by the Church of England in the reign of King Henry VIII.[4] In January 1604, King James I of England convened the Hampton Court Conference where a new English version was conceived in response to the perceived problems of the earlier translations as detected by the Puritans, a faction within the Church of England.9The Renaissance (from French Renaissance, meaning "rebirth"; Italian: Rinascimento, from re- "again" and nascere "be born")[1] was a cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historic era, but since the changes of the Renaissance were not uniform, this is a very general use of the term.10Thomas More (7 February 1478 – 6 July 1535) was an English lawyer, author, and statesman who in his lifetime gained a reputation as a leading humanist scholar, and occupied many public offices, including Lord Chancellor (1529–1532), in which he had a number of people burned at the stake for heresy. More coined the word "utopia", a name he gave to an ideal, imaginary island nation whose political system he described in the eponymous book published in 1516. He was beheaded in 1535 when he refused to sign the Act of Supremacy that declared Henry VIII Supreme Head of the Church of England.11The sonnet is one of the poetic forms that can be found in lyric poetry from Europe. The term "sonnet" derives from the Occitan word sonet and the Italian word sonetto, both meaning "little song". By the thirteenth century, it had come to signify a poem of fourteen lines that follows a strict rhyme scheme and specific structure. The conventions associated with the sonnet have evolved over its history. The writers of sonnets are sometimes referred to as "sonneteers," although the term can be used derisively. One of the best-known sonnet writers is Shakespeare, who wrote 154 of them. A Shakespearean sonnet consists of 14 lines, each line contains ten syllables, and each line is written in iambic pentameter in which a pattern of a non-emphasized syllable followed by an emphasized syllable is repeated five times. The rhyme scheme in a Shakespearean sonnet is ABAB CDCD EFEF GG, in which the last two lines are a rhyming couplet.12Blank verse is a type of poetry, distinguished by having a regular meter, but no rhyme. In English, the meter most commonly used with blank verse has been iambic pentameter (like that which is used in Shakespearean plays13Edmund Spenser (c. 1552 – 13 January 1599) was an important English poet best known for The Faerie Queene, an epic poem celebrating, through fantastical allegory, the Tudor dynasty and Elizabeth I. He is recognized as one of the premier craftsmen of Modern English verse in its infancy.The Faerie Queene is an English epic poem by Edmund Spenser, published first in three books in 1590, and later in six books in 1596. The Faerie Queene is notable for its form: it was the first work written in Spenserian stanza. It is an allegorical work, written in praise of Queen Elizabeth I. Largely symbolic, the poem follows several knights in an examination of several virtues.Amoretti was first published in 1595 in London by William Ponsonby. It was printed as part of a volume entitled “Amoretti and Epithalamion. Written not long since by Edmunde Spenser.” The volume included the sequence of 89 sonnets, along with a series of short poems called Anacreontics and an Epithalamion, a public poetic celebration of marriage15Christopher "Kit" Marlowe (baptised 26 February 1564 – 30 May 1593) was an English dramatist, poet and translator of the Elizabethan era. The foremost Elizabethan tragedian next to William Shakespeare, he is known for his blank verse, his overreaching protagonists, and his own mysterious and untimely death

极端

那样的嗓子是容易破声的，你知道死了都要爱是怎么唱的么，破声了再回来，可是能有几个人做的到？不是天生的，可是后天练也绝没有那种歌唱形式。

晚明中国文学史 Chinese Literature History of the Late Ming Dynasty Culture and ScienceThe culture of the Ming Dynasty developed rapidly, especially in literature. Three of the four great classical masterpieces of Chinese literature - Journey to the West, Outlaws of the Marsh, and Romance of the Three Kingdoms were written in the Ming Dynasty. Besides, another two well-known novels - Peony Pavilion and The Plum in the Golden Vase were also excellent works in that period. Meanwhile, folk literature prospered, represented by a group of writers such as Tang Yin, Song Lian, Zhang Dai, Wu Weiye and Yuan Hongdao. In philosophy, Wang Yangming"s new thoughts called "philosophy of the mind" formed a new thinking wave which helped shape a new social trend. Before the 16th century, the scientific development of the Ming Dynasty had been in the forefront of the world.Many scientific books appeared in the early and middle period, namely, medical book Compendium of Materia Medica by Li Shizhen, Song Yingxing"s Heavenly Creations about handicraft industry, Xu Guangqi"s Complete Treatise on Agriculture and Xu Xiake"s Travels of Xu Xiake. All these have been the precious documents for today"s study of the ancient technology. Additionally, the military technology was relatively advanced in that period. A kind of gun called "huochong gun" and powerful artillery were invented in the late period of the Ming Dynasty. It is said that a man named Wan Hoo even tried to fly to the sky by sitting in a chair propelled by gunpowder sticks. Unfortunately, he failed and became the first sacrifice in human conquest of the sky.----------The Ming period was a time of great ferment and change in Chinese literature. At the top, literature and literary style had become moribund, fossilized by the insistence by the scholars on a rigid style and adherence to the Chinese classics. In the areas, then, of classical Chinese literary forms, such as essays, philosophy, and poetry, all written in Classical Chinese, Chinese literature during the Ming is generally stultified and conservative. The vital and dynamic literary activity, however, occurred at the fringes of literary respectability: in popular literary forms such as drama, the novel, the short story, and a racy and popular verse form called Shih-chu songs. The rise of popular literature during the Ming period can be ascribed to several reasons. The economic expansion created a middle class of merchants and even laborers with more money to spare on diversionary activities. Standards of living increased all throughout China, but particularly in the south. Innovations in paper manufacture made paper cheaper, and the Ming period is characterized by the phenomenal growth of printers all throughout the empire. During the entire Ming period, the reigns of the Chia-ching emperor (1522-1566) and the Wan-li emperor (1572-1619) were the most active periods in literary publishing. The Drama The drama had developed in China during the Yüan period. Yüan drama was primarily characterized by simplicity, naturalness, and rigid rules for composition and acting. The Hong-wu emperor was himself very fond of drama; several of his sons wrote dramas and composed music for them. Ming drama, unlike Yüan drama, however, soon became a much more flexible and elaborate medium. All drama was in verse, and the stage was bare of scenery. Actors, however, dressed in magnificent costumes and elaborate makeup. Chinese theater was musical; the actors didn"t recite lines, but sung them accompanied by an orchestra. By the end of the Ming, the stage had become one of the most popular pastimes in the country. The Novel The most important literary form invented in the Ming period was the vernacular novel; it was written in vernacular rather than Classical Chinese. As a form it grew out of storytelling and Buddhist preaching; these were the two most popular literary forms during the Southern Sung. The first novels in the Ming were only simple collections of manuscript stories that storytellers collected for their own use. Eventually, however, these stories were collated by more educated literary artists and took the form of long novels. Confucian scholars were divided about the novel; some declared that it was vulgar, while others advocated the development of new literary forms to fit the times. Many scholars felt that there was nothing more to accomplish in standard Chinese letters or philosophy; it was this group of highly literary and educated men who developed the long novel into an art form. Written in plain and common language, the long novel dealt with philosophical, religious and social issues, while remaining humorous and filled with adventure. The three most famous Ming novels are Journey to the West (Hsi-yu chi , also called, The Monkey King ), Tale of the Water Margin (Shui-hu chuan ), and The Plum in the Golden Vase (Chin-p"ing mei ). Journey to the West is perhaps the most read and most famous classic Chinese novel; it was originally a series of oral and written stories and was composed in its final format by the scholar-official, Wu Ch"eng-en (1500?-1582) and published in 1592. It is a supernatural story about gods and demons fighting for supremacy. It is loosely based on a real historical character and his life, the Chinese Buddhist monk, Hsuan Tsang (602-664). He journeyed to India and brought back the Sutra, or Buddhist holy book, and translated it into Chinese on his return to China. The novel, however, introduces a wealth of allegorical and supernatural elements, including fables, legends, popular superstitions and monster stories; the novel is suffused with Confucian and Taoist elements as well. The novel has two parts: the first part narrates the early history of the Monkey King spirit, a rebellious spirit born out of a rock. He defies Yu Huang Ta Ti, "The Great Emperor of Jade," that rules heaven, earth, sea, and the underworld. After conquering several areas of creation and fighting with the Heavenly Army, the defiant monkey spirit grows stronger and more clever. Desperate, the Great Emperor of Jade asks Buddha for help. The Buddha then offers to make the Monkey Spirit a disciple and, with a Pig spirit, Pigsy, and a former sea-monster, Sandy, the Buddha begins his journey west to find the sutra. Thus begins the second part which consists of eighty-one dangers encountered by Buddha and his three spirits; these adventures display the powers and hidden abilities of the three spirit disciples. Tale of the Water Margin is a loosely connected series of tales about a group of bandits; the stories are loosely based on actual historical events in the Sung dynasty. We have no idea who composed the stories into their final form, but literary scholars believe that the novel had been shaped and re-shaped by scholar-officials for over a century before it was published in the 1580"s. Tale of the Water Margin was the most influential and popular novel of the Ming period. The Plum in the Golden Vase is a satirical novel set in the Sung period that really concerns Ming society during the Wan-li period (1572-1619). The novel centers around the domestic life of Hsi-men Ch"ing, a corrupt merchant with six wives and concubines who slowly destroys himself with conspicuous consumption, political imbroglios, and sexual escapades. The core of the novel is a critique of the changes that the economic boom of the sixteenth century brought to Ming society; in particular, the novel argues that the economic growth of the late Ming was eroding traditional values. The corruption and spiritual exhaustion of the household of Hsi-men Ch"ing reflects the larger corruption and materiality of late sixteenth century Ming culture. Shi-chü Songs The rise of the vernacular Chinese novel was mirrored by the rise of vernacular, popular poetry. The most popular of these new genres of poetry were the Shih-chü songs. Regarded by the literary classes as vulgar, the Shih-chü songs were indecent, rhyming narratives. Popular in both the South and the North, common people memorized, performed, and listened to them all the time; it is unquestionable that Shih-chü songs were the most dynamic and universal aspects of Chinese popular culture during the Ming. In the late sixteenth century, Shih-chü songs were compiled and published. --the last truly Chinese dynasty,unique to be sandwiched between 2 alien dynasties,the preceding Yuan Mongol rule & the Ching Manchu rule that followed the Ming--famous for its porcelain creations,identified easily by its blue-white patterns,as seen in the 2nd picture of Ming porcelain vase found at the end of this page--drama & novel writing reached a second peakDrama--Ming drama works remained to be performed as Chinese opera--different from Yuan drama: Ming drama is Southern-styled,with the music of Kunshan,to become a new form called the Music of Kunshan (kun shan qiang) or commonly known as "kun qu",hence is termed as Southern drama--also known as marvel dramas "zhuan qi",inheriting its characteristics of exploiting the strange & fantastic of the Tang & Sung marvel dramas1. "The Peony Pavillion" ("Mu Dan Ting"): --a love story about a lady who dreamt of being married to a scholar & later died when she realised it was a dream only.As a spirit,she finally united with him & when she was revived,they overcame obstacles to be married happily ever after.--reflective of similar themes to "The Western Chamber"--written by Tang Xianzhu (1550-1616),a contemporary of William Shakespeare,who also wrote other plays including "The Purple Hairpin" ("Zhi Chai Ji"),a tragic love story of a heartless scholar & a courtesan Novels1.Journey to the West" ("Xi You Ji")--The 3rd of the 4 greatest Chinese novels,written by Wu Cheng-en--great fantasy novel about the brave Sun Wukong,also known as Monkey & his adventures on his pligrimage to India to get Buddhist scriptures.Along with his teacher Hsuan Tsang & 3 fellow disciples, Zhu Bajie(Wuneng) {Pigsy},Sha Wujing (Sandy) & the White Horse who originally was a dragon prince,with the 5 pligrims eventually reaching enlightenment to be revelled as gods by people even till now.--greatly popular & well-loved by people of all ages--based on the true story of the monk Hsuan Tsang who travelled to India during the reign of Tang Taizhong & the tale gradually became spiced with magical exploits & companions & came to be what it"s known now2."The Plum in the Golden Vase" ("Jin Ping Mei")--1st Chinese novel to be written alone by an author from a specific Chinese perspective & a world-historical context,a landmark in the development of narrative art,first published in 1617--a very long,complex & sophisticated novel with equal achievements to the Japanese classic "The Tale of Genji" (1010 AD) & the "Don Quixote",the Spanish classic by Cervantes (1615)--written by the anonymous "The Scoffing Scholar of Lanling" ("Lan Ling Xiao Xiao Sheng"),it remains till now a forbidden book & is banned in Chinese areas--1st work to be so explicit in the details of sex,deemed pornographic,but with intricate characterisation--nonetheless its name & brief storyline is well-known by all,including minors since it was derived from a section in "The Water Margin" ("Wu Song Kills his Sister-in-law") where Wu Song,1 of the 108 heroes kills his unfaithful sister-in-law Pan Jinlian (Golden-Lotus) who conspired with her lover Ximen Ching (mocked now as Simon King when pronounced in Cantonese & killed by Wu Song too) to murder Wu Dalang,Wu Song"s brother.--the author added in new characters & lengthened the period from months to years before Wu Song finally killed Lotus.--the title in English & Mandarin are derived from the names of the 3 female leads,the 3 flirtatious concubines of Ximen Ching: Golden-Lotus (Pan Jinlian),Little Vase (Li Pin-er) & Vase"s maid Spring Plum (Pang ChunMei)--in the end,after Vase & Ximen Ching died,Lotus is killed by Wu Song while waiting to be married as another man"s concubine,Ximen Ching & Plum(after being sold as another man"s concubine) die respectively of sexual excess from orgies while Vase dies of an illness--reflects the debaucheries of society

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枫林如火：深秋时枫叶会变红，“枫林如火”当是极赞秋枫之壮美，满眼的红色犹如一片火海。那么，形容美景的成语有哪些呢？下面是我收集整理的形容美景的成语，希望对您有所帮助！ 形容美景的成语 1、桂子飘香：代指秋季，象征着秋天了。 2、五彩缤纷：五彩：各种颜色；缤纷：繁多交错的样子。指颜色繁多，非常好看。 3、春回大地：好象春天又回到大地。形容严寒已过，温暖和生机又来到人间。 4、晴云秋月：晴空飘浮的白云，秋高气爽时的明月。比喻人胸襟高洁明朗。 5、绿肥红瘦：绿肥：绿叶茂盛，红瘦：花渐凋谢。形容暮春时节花稀而叶盛的景象。 6、草木萧疏：萧疏：冷落，稀稀落落。花草树木都已枯萎凋谢。形容深秋景象。出处：《晋祠》：“春日黄花满山，径幽香远；秋来草木萧疏，天高水清。” 7、西风残照：秋天的风，落日的光。比喻衰败没落的景象。多用来衬托国家的残破和心境的凄凉。出处：唐·李白《忆秦娥》词：“乐游原上清秋节，咸阳古道音尘绝。音尘绝，西风残照，汉家陵阙。” 8、春生秋杀：春天万物萌生，秋天万物凋零。 9、花红柳绿：像花一样的红，像柳一样的绿。形容明媚的春天景象。也形容颜色鲜艳纷繁。 10、听风听水：形容善于赏玩自然景色。出处：相传龟兹国王与乐人于大山间倾听风和水声，感兴而制乐。唐·王建《霓裳辞》之一：“弟子部中留一色，听风听水作《霓裳》。” 11、桃李争辉：桃花和李花竞相开放。用以形容春色美丽。出处：元·无名氏《东篱赏菊》第三折：“花也，则为你不与那繁花争媚，花也，则为你不同他桃李争辉。” 12、大煞风趣：同“大煞风景”。 13、无边风月：无边：无限；岁月：风和月亮，泛指景色。原指北宋哲学家周敦颐死后影响深广。后形容无限的美好风景。 14、柳烟花雾：形容春色迷蒙的景象。 15、燕语莺啼：莺，黄鹂。燕子的话语，黄鹂的歌声。形容大好春光。出处：唐·皇甫冉《春思》诗：“莺啼燕语报新年，马邑龙堆路几千？”绿树春深，声断续，蕙风飘荡入芳从丛。（五代蜀·毛文锡《酒泉子》词） 16、春色恼人：恼：撩拔，挑逗。春天的景色引起人们的兴致。 17、林寒涧肃：树林和山涧显出一片清凉和寂静。 18、吟风弄月：旧指文人写作或朗诵以风月等自然景色为题材的作品。现多形容作品空虚无聊。出处：唐·范传正《李翰林白墓志铭》：“吟咏风月，席天幕地，但贵其适所以适，不知夫所以然而然。” 19、桃红柳绿：桃花嫣红，柳枝碧绿。形容花木繁盛、绚丽多彩的春天景色。 20、旖旎风光：旖旎：柔和美丽。柔和而美丽的韵致风采或自然风景。 21、秋高气爽：形容秋季晴空万里，天气清爽。 22、春和景明：春光和煦，风景鲜明艳丽。 23、别有天地：天地：境界。比喻另有一番境界。形容风景或艺术创作的境界引人入胜。 24、寻花觅柳：原指赏玩春天的景色。后旧小说用来指宿娼。同“寻花问柳”。 25、寻幽探胜：探：寻求。胜：胜地，风景优美的地方。游览山水时寻找、搜索幽雅的胜地。亦作“寻幽探奇”、“寻奇探幽”、“探幽选胜”。 26、叶落知秋：看到树叶落，便知秋天到来。比喻从细微的变化可以推测事物的发展趋向。出处：宋·释普济《五灯会元》卷二十：“叶落知秋，举一明三。”《续灯传录》：“弦动别曲，叶落知秋。” 27、水木清华：水：池水，溪水；木：花木；清：清幽；华：美丽有光彩。指园林景色清朗秀丽。出处：晋·谢混《游西池》诗：“景晨鸣禽集，水木湛清华。” 28、秋意深浓：乡下的惬意，莫过于在秋意深浓时斜坐于山坡，看层林尽染，赏丰收美。 29、湖光山色：湖的`风光，山的景色。指有水有山，风景秀丽。 30、枫林尽染：整个枫林都被染成红色的了。 31、西风落叶：形容秋天的景象。多比喻人或事物已趋衰落。出处：唐·贾岛《忆江上吴处士》：“秋风吹渭水，落叶满长安。” 32、春花秋月：春天的花朵，秋天的月亮。泛指春秋美景。 33、林寒洞肃：寒：寒冷；肃：肃杀。形容秋冬时林木萧疏，溪涧浅落的景象。出处：北朝·后魏·郦道元《水经注·江水》：“每晴初霜旦，林寒涧肃，常有高猿长啸，属引凄异。” 34、烧琴煮鹤：拿琴当柴烧，把鹤煮了吃。比喻糟蹋美好的事物。 35、天高气清：形容天空高远，气候清爽。 36、柳烟花雾：形容春色迷蒙的景象 37、繁花似锦：繁，多而且茂盛。锦，指有彩色花纹的锦缎。许多色彩纷繁的鲜花，好像富丽多彩的锦缎。出处：陈青云《点苍山下金花娇》：“我们坐在……繁花似锦的花丛中，听她谈起沙村公社来。” 38、花下晒裈：裈：有裆裤子。在鲜花下晒裤子。比喻不文雅，煞风景。 39、红衰翠减：红：指花；翠：指绿叶。红花衰败，绿叶减少。形容春尽花残或初秋百花凋谢的景象。 40、傍柳随花：春天依倚花草柳树而游乐的情调。比喻狎妓。 41、秋阳杲杲：秋天的太阳，明亮灿烂。 42、春暖花开：春天气候温暖，百花盛开，景色优美。比喻游览、观赏的大好时机。现在常用来比喻有利于工作或学习的大好形势。出处：明·朱国祯《涌幢小品·南内》：“春暖花开，命中贵陪内阁儒臣宴赏。” 43、春风雨露：像春天的风和雨滴露水那样滋润着万物的生长。旧常用以比喻恩泽。 44、名山胜川：风景优美的着名河山。 45、春蛙秋蝉：春天蛙叫，秋天蝉鸣。比喻喧闹夸张、空洞无物的言谈。 46、山明水秀：山光明媚，水色秀丽。形容风景优美。 47、风光旖旎：形容景色柔和美好。出处：秦牧《花市》：“人们怎能不热爱这个风光旖旎的南国花市，怎能不从这个盛大的花市享受着生活的温馨呢！” 48、橙黄桔绿：橙子黄熟，桔子还绿。指秋天宜人的景色。 49、落叶知秋：指见到落地的黄叶，知道已经是秋天快到了。出处：宋·释普济《五灯会元》卷二十：“叶落知秋，举一明三。”《续灯传录》：“弦动别曲，叶落知秋。” 50、良宵美景：美好的夜晚和景色。亦作“良宵好景”。 51、歌莺舞燕：歌声宛转如黄莺，舞姿轻盈如飞燕。亦形容景色宜人，形势大好。出处：宋·苏轼《锦被亭》词：“烟红露绿晓风香，燕舞莺啼春日长。” 52、枫林如火：深秋时枫叶会变红，“枫林如火”当是极赞秋枫之壮美，满眼的红色犹如一片火海。 53、山清水秀：形容风景优美。 54、春意阑珊：春意，春天的气象；阑珊，将尽、将衰。形容春天就要过去了。出处：南唐·李煜《浪淘沙》：“帘外雨潺潺，春意阑珊。” 55、浪蝶狂蜂：轻狂的蜂蝶。比喻轻狂的男子。 56、无边风月：无边：无限；风月：风和月亮，泛指景色。原指北宋哲学家周敦颐死后影响深广。后形容无限的美好风景。出处：宋·朱熹《六先生画像赞·濂溪先生》：“风月无边，庭草交翠。” 57、叠翠流金：形容秋天美丽的景色，碧绿和金黄交相辉映。 58、春兰秋菊：春天的兰花，秋天的菊花。比喻各有值得称道的地方。 59、春晖寸草：春晖：春天的阳光；比喻父母对儿女的慈爱抚养。寸草：一寸长的小草；比喻子女对父母的养育之恩的无限感戴心情。 60、寸草春晖：寸草：小草；春晖：春天的阳光。小草微薄的心意报答不了春日阳光的深情。比喻父母的恩情，难报万一。 61、满园春色：整个园子里一片春天的景色。比喻欣欣向荣的景象。出处：宋·叶绍翁《游小园不值》诗：“春色满园关不住，一枝红杏出墙来。” 62、绿暗红稀：形容暮春时绿廕幽暗、红花凋谢的景象。 63、风景不殊：指悲叹国土破碎或沦亡。 64、秋月寒江：比喻有德之人心底清纯明净。 65、秋色宜人：指秋天的景色，气候或温度令人舒适的；温和或温暖的。 66、西风残照：秋天的风，落日的光。比喻衰败没落的景象。 67、琪花玉树：古人指仙景中的花木，亦以形容霜雪中的景色。出处：元·杨维桢《梦游沧海歌》：“风光长如二三月，琪花玉树不识人间秋。” 68、秀水明山：山光明媚，水色秀丽。形容风景优美。 69、北雁南飞：去北方的雁子向南飞去。 70、春风和煦：形容春天阳光温暖而舒适。 71、白草黄云：形容边塞秋季的荒凉景象。出处：唐·权德舆《赠老将》诗：“白草黄云塞上秋，曾随骠骑出并州。” 72、万物复苏：万物，各种各样的事物；复，又；苏，苏醒。指春天到来时，自然界各种生物都开始生长。 73、大杀风景：破坏兴致的意思。 74、李白桃红：桃花红，李花白。指春天美好宜人的景色。 75、春暖花香：春天气候温暖，百花盛开，花香袭人。 76、雪中送炭：在下雪天给人送炭取暖。比喻在别人急需时给以物质上或精神上的帮助。 77、水流花谢：谢：脱落。指河水流逝，花儿也凋谢了。形容景色凋零残败，用来比喻局面残破，好景已不存在，无法挽回。亦作“花谢水流”。 78、洞天福地：原为道家语，指神道居住的名山胜地。后多比喻风景优美的地方。 79、大煞风景：损伤美好的景致。比喻败坏兴致。 80、湖光山色：湖的风光，山的景色。指有水有山，风景秀丽。出处：宋·吴自牧《梦梁录·五代人物》：“杭城湖光山色之秀，锺为人物，所以清奇特，为天下寇。”

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形容美景的成语如下：1、水天一色[shuǐ tiān yī sè] 水光和天色浑然一体，无法分辨。形容水域辽阔。2、山清水秀[shān qīng shuǐ xiù] 秀：秀丽。指山水秀丽，风景优美。也作“山明水秀”。3、繁花似锦[fán huā sì jǐn] 繁：繁盛，多。锦：织有彩色花纹的丝织品。繁茂的鲜花像美丽多彩的锦缎。形容美丽的景色或美好的事物。4、湖光山色[hú guāng shān sè] 湖和山相映衬的秀丽景色。5、青山绿水[qīng shān lǜ shuǐ] 青绿色的山脉、河流。6、百花齐放[bǎi huā qí fàng] 百花：各种花卉。各种花卉一起开放。比喻各具特色的不同事物一齐出现，或同一事物以不同方式同时出现。7、花红柳绿[huā hóng liǔ lǜ] 花儿鲜红，柳丝青绿。也作“柳绿花红”。①形容春天美丽的景色。②形容人穿着打扮色彩很艳丽。

I ABOUT THE AUTHOR John Ronald Reuel Tolkien was born on January 3, 1892, in Bloemfontein, South Africa, where his father was a bank manager. After his father"s death, Ronald, then aged four, his mother, and younger brother moved to the English village of Sarehole, in the West Midlands. Thereafter, Tolkien always retained an idealized image of the Sarehole Mill, its old mill pool and overhanging willow tree, a tempting nearby mushroom patch, and the local clusters of cottages—all of which figured in his picture of Hobbiton. At this time young Ronald was already discovering two interests that were to shape his life: languages and stories about imaginary places. When his mother moved the family to Birmingham, the urban atmosphere with its trains and factories was much more forbidding and he later encouraged people to "escape" from such environments through imaginative literature. During his years at King Edward"s school in Birmingham and later at Oxford University, Tolkien concentrated on philology, moving from languages such as Latin, Greek, German, and French, to Old and Middle English, Gothic, Old Norse, Welsh, and Finnish. During his childhood Tolkien had started "making up" languages and as an undergraduate at Oxford he continued this practice, evolving from Finnish and Welsh what eventually became the languages of the elves in Middle Earth. His work with the signal corps of the British army from 1916 to 1918 during World War I stretched his linguistic talents in a different direction. After the war Tolkien worked briefly on the Oxford English Dictionary, before moving into the profession in which he was to spend the rest of his life: teaching. He was first invited to join the English department at Leeds University; five years later he became a professor of Anglo-Saxon at Oxford, a position he held for 34 years. At Oxford he did much to demonstrate the strong bonds between what had been two rival fields: language and literature. Among his academic works medievalists have consistently praised his translation of the Middle English poetic romance Sir Gawain and the Green Knight and the posthumously published translations of The Pearl and Sir Orfeo. It is significant that the most prominent of his many studies in Anglo-Saxon literature should be his published lecture on "Beowulf: The Monsters and the Critics" (1936). As a child Tolkien had loved dragon stories and the anonymous Anglo-Saxon Beowulf-poet created one of the greatest dragons of literature, a model for Tolkien"s treasure-loving dragons in The Hobbit and Farmer Giles of Ham, as well as his creation of malice and terror, Glaurung of The Silmarillion. Throughout his life, Tolkien was drawn to the challenge of creating an imagined world and mythology. In the 1920s, while he was busy with his teaching career, he was also playfully creating "fairy-stories" to entertain his children. It was for them that The Hobbit evolved, episode by episode. When they grew out of listening to stories, Tolkien"s motivation to create them stopped, and so did Bilbo"s quest. It was not until 1937 that Tolkien completed the novel. The overwhelming popularity of The Hobbit led his publisher to request another book about hobbits. Tolkien began a sequel almost immediately, but The Fellowship of the Ring, the first part of The Lord of the Rings trilogy, did not see print until 1954, 17 years after he had written the first chapter. The world of Middle Earth came to full form in The Lord of the Rings trilogy, but its underlying mythology continued to grow throughout Tolkien"s life. After his retirement from Oxford in 1959 he concentrated on preparing for publication manuscripts that went back as far as his schoolboy song about Earendil (1914). Up until his death on September 2, 1973, he was still revising—and re-revising—the manuscripts, which were finally edited and published by his son Christopher in The Silmarillion (1977). Tolkien"s own absorption in these myths is reflected by the inscriptions on his and his wife"s gravestones: "Beren" and "Luthien", the names of the human-elven couple from whom the great lines of Middle Earth descend. II OVERVIEW In The Lord of the Rings Tolkien demonstrates the evolution of a literary world. In The Hobbit, often considered a prologue to the trilogy, he created a kind of being with no parallel in literature; in the trilogy he expands his single hobbit hero into four hobbit companions and an assortment of helpers and enemies. The character of Bilbo from The Hobbit returns in The Fellowship of the Ring, the first volume of the trilogy. The central adventure of the trilogy spans three volumes, each divided into two books. Each of the six books builds to its own climactic ending, but an intricate system of interlacing allows the reader to move easily with the characters as the author fills in more details about the geography of Middle Earth, the history of its inhabitants, and the progress of the quest. The expansive background against which the central action takes place conveys a sense of the universality of the conflict between good and evil. In this world everyone needs the support of others in overcoming obstacles and in doing good. Many of the background sections treat the nature of evil as a distortion of what could have been good. Basic to the history of the One Ring is the thirst for power of its creator, Sauron. In the central volume of the trilogy, The Two Towers, the desire for the power inherent in the Ring has also corrupted the wizard Saruman. Tolkien"s analysis of the corrupting nature of power explains why three of his strongest forces for good—Gandalf, Galadriel, and Aragorn—refuse to take the Ring and why Bilbo is unable to resist its control. As the story develops, one major source of Bilbo"s nephew Frodo"s internal conflict lies in the pull of the ring itself. The success of Frodo"s quest flows from mercy, friendship, endurance, and the courage to risk life and happiness for the good of others. III SETTING Physically Middle Earth resembles modern Earth. It is the inhabitants that add the touch of unreality that a reader expects in what Tolkien calls a "secondary" world. In making a world for his hobbits, elves, wizards, dwarves, ents, orcs, ringwraiths, and other unusual beings, Tolkien assumes the creative rights that he says in his essay "On Fairy-stories" belong to the storyteller: the right to be free with nature; to use the world as a basis to make something new, while giving this new world its principles of inner consistency. Much of the mythology and history of Middle Earth comes through songs that pervade the narrative, but a more organized "history", complete with dates for the four ages of Middle Earth and genealogies of major families of elves, dwarves, hobbits, and human beings, is included as an appendix to the third volume. IV THEMES AND CHARACTERS The enduring conflict between good and evil is the underlying theme of the trilogy, but Tolkien develops other themes in connection with it. He explores the positive and negative sides of power, the nature of heroism, and the role of friendship. To Frodo Baggins, favourite nephew of the ring-finder Bilbo Baggins, is entrusted the task of saving Middle Earth from the control of the master of evil, Sauron. Frodo"s task reverses the basic quest pattern: instead of finding a treasure, Frodo is sent to destroy what Sauron values above all—the One Ring. Sauron has poured much of his power into the One Ring to strengthen his control over the 19 Rings of Power. Of these 19 rings, only the Three made by the elves for themselves have never been touched by Sauron and his evil. The Seven, originally distributed to dwarf leaders, have been destroyed and do not affect events in the trilogy. The major concentration of evil confronted by Frodo comes from the Ringwraiths, or Nazgul, who are men enslaved by Sauron through the Nine Rings. Sauron, having learned from Gollum the whereabouts of the One Ring, sends the Nazgul to recover it. Since the defeat in which the Ring was cut from his hand, Sauron himself can no longer assume a physical form. He can, however, act through those who have submitted their minds and wills to his service. The nature of the Rings of Power and of the Ringwraiths is made clear to Frodo before he accepts responsibility for destroying the Ring. The wizard Gandalf and Elrond, great leader of the elves of Middle Earth, determine who will accompany Frodo on his quest. To match the number of Nazgul, they include nine individuals in the Fellowship of the Ring, representing the people of Middle Earth: four hobbits (Frodo, his servant Sam, and two young friends, Pippin and Merry); the elf Legolas; the dwarf Gimli; two men, Aragorn and Boromir; and Gandalf himself. The fellows all demonstrate some aspect of heroism. Gandalf has an aura of supernatural power. He risks his life and his power when he is pitted against other supernatural forces: his fellow wizard Saruman, turned evil by desire for the Ring; the Balrog of Moria, who leads him to at least a symbolic death; and the Lord of the Nazgul, who is reinforced by the great strength of Sauron. Gandalf"s heroism is beyond human imitation. Human heroes abound in the trilogy: Aragorn, Boromir, his brother Faramir, the aged Theoden, Eowyn and Eomer (Theoden"s niece and nephew), and the many warriors of Rohan and Gondor. Boromir at one point yields to the power of the Ring, trying to take it from Frodo, but he recognizes his weakness almost immediately and dies defending the younger hobbits, Pippin and Merry. Aragorn, descended from two great marriages of elves and mortals, has a grace and power beyond that of mere human leaders. With this heritage he seems like one of the great epic heroes of the past, just as Tolkien"s trilogy itself at times echoes the heroic epic world. Aragorn plans, leads, encourages, and heals; he is always ready to risk his life for the salvation of others. When the royal line of the great kings of the West is "returned" to power by him, the free peoples of Middle Earth can again find justice and the age of men can begin. The most "human" heroes are the four hobbits. Although at first they do not fully understand the dangers of the quest, their commitment grows in proportion to their knowledge of the nature of their enemies. Frodo undergoes the greatest test because the forces of Sauron concentrate their attacks on him. He is also tested by the Ring, by Gollum whom a lesser hero might have killed for his own safety, and by physical strain. Although Frodo at the last moment yields to the evil pull of the ring, he is saved by his own virtue: the pity that had spared Gollum. Frodo carries a sword, but he rarely uses it, except when he futilely strikes at the Lord of Nazgul; his heroism lies more in endurance than in battle. Sam, like his master, endures, but he is called to fight against Gollum, Shelob, and the orcs. He delights in hearing the orcs misidentify him as a great elven warrior. Sam"s major role in the trilogy is that of loyal friend. However, he is also the voice of normality, longing for the beauty of home, his family and friends in the Shire, his garden, and his pots and pans. Like Sam, Pippin and Merry exemplify friendship and heroism on a more attainable level. They are too small to fight the orcs who capture them, but they outwit them and travel with Fangorn and the ents to overcome Saruman. Back in the Shire after the destruction of the ring, Sam, Pippin, and Merry all share in the battle against more "normal" enemies: mere men. Neither Elrond nor Galadriel participate in the quest, but they do contribute to its outcome. Elrond"s power rescues Frodo from the Nazgul attack and his wound; and it is at Elrond"s home that the fellowship is formed. Galadriel"s gifts, especially Frodo"s phial of light and the seeds of new life in Sam"s box, symbolize the life-giving nature of the elves. When Galadriel later tells Frodo that the destruction of the One Ring will probably destroy the power of the Three Rings, it becomes clear how much the elves are sacrificing for the success of the quest. The 19 Rings of Power made by the elves of old had originally been formed as objects of goodness and beauty; it was Sauron who turned the rings he touched into sources of evil. Tolkien demonstrates how goodness can be perverted into evil, but he also shows that evil in turn can be overcome. In his preface to the trilogy, Tolkien distinguishes between allegory and the applicability of works of literature to life. While he disclaims having imposed any allegorical significance on his story, he asserts the right of readers to apply the meaning of the story to their own lives as they see fit. In light of this disclaimer, it seems contrary to Tolkien"s intention to interpret The Lord of the Rings as political or social allegory, as some critics have done. On the other hand, readers of all generations can apply to their own age some of the overall principles embodied in the trilogy. The fact, for example, that elves, dwarves, hobbits, and human beings can set aside major differences to work together for the welfare of Middle Earth can be extended to a hope that modern human races can set aside their differences, no more deeply embedded than the distrust between dwarves and elves. Many battles take place in Middle Earth—often violent and bloody ones. The heroes fight bravely, sometimes against terrible odds, but the "good" characters do not rejoice in fighting, except perhaps when Fangorn and the ents delight in overthrowing the tree destroyers, Saruman and his orcs, or when Legolas and Gimli compete over the number of orcs slain. Before the Battle of Bywater, after the return to the Shire, F

风景如画 景色宜人

who, with the concentration of poetry and the frankness of prose, depicts the landscape of the dispossessed

Iridescent 彩虹光芒[Mike] When you were standing in the wake of devastation 当你站在灾难后的遗迹前When you were waiting on the edge of the unknown 当你等待着不可预测的变化With the cataclysm raining down 此时灾难即将瓢泼而至Insides crying "save me now" 你的内心哭喊着“拯救我”You were there impossibly alone 却无法忽视万分孤单的处境[Chester] Do you feel cold and lost in desperation 是否你感到冰冷无助？You build up hope but failure"s all you"ve known 你满怀希望但最终充满绝望Remember all the sadness and frustration 记住这所有的悲哀和沮丧And let it go let it go 然后让时光冲刷掉这些不快[Mike] And in the burst of light that blinded every angel 在足以使天使失明的爆裂的强光下As if the sky had blown the heavens into stars 天空支离，天堂破碎You felt the gravity of tempered grace falling into empty space 你发现神的恩赐坠入虚无No one there to catch you in their arms 没有人能做你的守护者[Chester][Chours] Do you feel cold and lost in desperation 是否你感到冰冷无助？You build up hope but failure"s all you"ve known 你满怀希望但最终充满绝望Remember all the sadness and frustration 记住这所有的悲哀和沮丧And let it go let it go 然后让时光冲刷掉这些不快Let it go 让这些不快逝去

英语词典English Dictionary英语常用辞书主要分为词典(Dictionary)、分类词汇汇编(Thesaurus)、同义词和反义词(Synonyms and Antonyms)、惯用法(Usage)、成语(Idioms)、俚语(Slang)和词源(Etymology)等等 海外著名的...

主动出击。

额外强的极致的中等水平

饥荒里面的切斯特，俗称眼骨。不能够制作，只能在地图上找到。眼骨一般出现在水泥路两边

词典的英文是Dictionary，读音：英 [ˈdɪkʃənri]   美 [ˈdɪkʃəneri]。例句：This dictionary is also available in electronic form. 这部词典也有电子版本的。It seems only reasonable to ask students to buy a dictionary. 要学生买一本词典，好像也没什么不合情理。英语翻译技巧：1、省略翻译法这与最开始提到的增译法相反，就是要求你把不符合汉语，或者英语的表达的方式、思维的习惯或者语言的习惯的部分删去，以免使所翻译出的句子沉杂累赘。2、合并法合并翻译法就是把多个短句子或者简单句合并到一起，形成一个复合句或者说复杂句，多出现在汉译英的题目里出现，比如最后会翻译成定语从句、状语从句、宾语从句等等。

这个交换机没弄过。命令看着跟北电的有点像config vlan test1 add port 1:1 untag设置 vlan test1 加入端口 1;1 不打标签test1是vlan的标识 前面应该是有那个vlan id对应了这个标识port是端口 1：1 就是端口号了我理解是1是槽位 后面的1是端口也就是1槽位1端口。

1、词典的英文单词为dictionary，读音为英[ˈdɪkʃənri]，美[ˈdɪkʃəneri]。 2、词典，工具书的一种，是收集词汇按某种顺序排列并加以解释供人检查参考的工具书。 3、复数：dictionaries。 4、例句：You can certainly use my dictionary.你当然可以用我的字典了。

不三不四，不言不语，

Ultra 50M/s读取 30M/s写入Eextreme 120M/s 85M/s写入Eextreme Pro 160M/s 140M/s写入(以闪迪32G CF作为实例)Ultra、Eextreme区别基本上就是速度不一样，另外内部采用的闪存颗粒等级及寿命可能也有相对的区别。如有不懂之处请追问，有帮助请采纳，谢谢。

1. 以大字开头的四字词语成语有哪些 大败亏输 打了败仗，损失很大。 大本大宗 本：根本；宗：本，主旨。最根本，最重要的东西。 大笔如椽 椽：放在檩子上架着屋顶的木条。象椽子那样大的笔。形容著名的文章。也指有名的作家。 大辩不言 大辩：善于辩论。有口才、善于辩论的人，并不多说话以显示自己。 大辩若讷 讷：语言迟钝，不善于讲话。真正有口才的人表面上好像嘴很笨。表示善辩的人发言持重，不露锋芒。 大步流星 形容步子跨得大，走得快。 大才槃槃 槃槃：形容大的样子。指有大才干的人。 大材小用 把大的材料当成小的材料用。比喻使用不当，浪费人才。 大车以载 大车材坚，能载重物。比喻人有大材，能够胜重任。 大彻大悟 彻：明白；悟：领会。形容彻底醒悟。 2. 【大开头的四字词语越多越好】 大有可观 大有可为 大有起色大有人在 大有文章 大有作为大雨滂沱 大雨倾盆 大雨如注大禹治水 大展宏图 大展经纶大动干戈 大动肝火大动公惯 大度包容 大恩大德大而化之 大而无当 大发慈悲大发雷霆 大发谬论 大发议论大法小廉 大方之家 大放悲声大放厥词 大放厥辞 大风大浪大腹便便 大工告成 大公无私大功毕成 大功告成 大海捞针大含细入 大寒索裘 大喊大叫大旱望云 大旱望云霓 大旱云霓大街小巷 大节不夺 大经大法大惊失色 大惊小怪 大开大合大开方便之门 大开眼界 大块朵颐大块文章 大快人心 大浪淘沙大事不糊涂 大事铺张 大事去矣大势所趋 大势已去 大是大非大手大脚 大书特书 大树底下好乘凉大张其词 大张旗鼓 大张声势大张挞伐 大杖则走 大政方针大直若诎 大直若屈 大智大勇大智如愚 大智若愚 大中至正大做文章大辂椎轮 大路椎轮 大马金刀大梦初醒 大梦方醒 大名鼎鼎大名难居 大明法度 大谬不然大缪不然 大模大样 大莫与京大谋不谋 大难不死 大难临头大逆不道 大逆无道 大璞不完大起大落 大气磅礴 大器晚成大千世界 大巧若拙 大请大受大权独揽 大权旁落 大权在握大人虎变 大人先生 大仁大义大杀风景 大煞风景 大煞风趣大声疾呼 大失人望 大失所望大好河山 大红大绿 大红大紫大呼小喝 大呼小叫 大获全胜大惑不解 大吉大利 大计小用大家风范 大家闺秀 大渐弥留大江东去 大江南北 大匠运斤大败亏轮 大败亏输 大本大宗大笔如椽 大辩不言 大辩若讷大步流星 大才榱盘 大才榱盘大才盘盘 大材小用大车以载 大彻大悟 大澈大悟大吃一惊 大处落墨 大处着墨大处着眼 大吹大打 大吹大擂大吹法螺 大醇小疵 大慈大悲大错特错 大打出手 大大咧咧大大落落 大胆包身 大刀阔斧大得人心 大敌当前 大地春回。 3. 带“大”字开头的成语有哪些 大步流星、大材小用、大彻大悟、大动干戈、大发慈悲、大言不惭、大智若愚、 大而化之、大发雷霆、大公无私、大惊失色、大势所趋 、大风大浪、大海捞针、 大吉大利、大家闺秀、大江东去、大江南北、大街小巷、大惊小怪、大开眼界、 大好河山、大难不死、大快人心、大浪淘沙、大名鼎鼎、大气磅礴、大失所望、 大逆不道、大庭广众、大相径庭、大义凛然、大义灭亲、大有可为、大有裨益、 大功告成、大雅之堂、大雨倾盆、大智大勇、博大精深、胆大包天、苦大仇深、 地大物博、好大喜功、尾大不掉、树大招风、志大才疏、夸大其辞、勃然大怒、 关于大的成语 ： 大吃大喝、 哄堂大笑、 鹅毛大雪、 小题大做、 大显身手、 大名鼎鼎、 大惊失色、 大禹治水、 大雪纷飞、 大吃一惊、 财大气粗、 蔚为大观、 小惩大诫、 博大精深、 大模大样、 恍然大悟、 大言不惭、 号啕大哭、 胆大妄为、 大义灭亲、 地大物博、 庞然大物、 大摇大摆、 溜之大吉、 嚎啕大哭、 大彻大悟、 落落大方、 神通广大 4. 开头的四字成语四字词语成语有哪些 成语： 四百四病 四壁萧然 四不拗六 四不像 四冲八达 四冲六达 四大皆空 四德三从 四方八面 四方辐辏 四方离乱 四方云扰 四方之志 四分五裂 四分五落 四分五剖 四纷五落 四海波静 四海承风 四海承平 四海鼎沸 四海皆兄弟 四海九州 四海困穷 四海飘零 四海升平 四海升平 四海他人 5. 大开头的四字词语 大吃大喝、 大显身手、 大名鼎鼎、 大惊失色、 大禹治水、 大雪纷飞、 大吃一惊、 大模大样、 大义灭亲、 大言不惭、 大喜过望、 大摇大摆、 大彻大悟、 大庭广众、 大材小用、 大惊小怪、 大义凛然、 大浪淘沙、 大有裨益、 大声疾呼、 大相径庭、 大煞风景、 大放厥词、 大吹大擂、 大展宏图 6. 带前字成语,含有前字的四字成语,前字四字词语大全 前跋后疐前不巴村，后不巴店前不巴村，后不着店前不着村，后不着店前朝后代前车覆，后车戒前车可鉴前车已覆，后车当戒前车之鉴前尘影事前程似锦前程万里前程远大前度刘郎前俯后合前俯后仰前赴后继前覆后戒前歌后舞前功皆弃前功尽废前功尽灭前功尽弃前古未闻前古未有前合后偃前合后仰前呼后拥前脚后脚前街后巷前襟后裾前进无路，后退无门前倨后卑前倨后恭前虑不定，后有大患前慢后恭前门拒虎，后门进狼前门去虎，后门进狼前目后凡前怕狼，后怕虎前怕龙，后怕虎前仆后踣前仆后继前仆后起前前后后前人失脚，后人把滑前人栽树，后人乘凉前人种德后人收前人种树，后人乘凉前生注定前事不忘，后事之师前思后想前所未闻前所未有前所未知前庭悬鱼前徒倒戈前途渺茫前途未卜前途无量前挽后推前危后则前无古人前无古人，后无来者前言不搭后语前言不答后语前言往行前仰后合前因后果前瞻后顾前遮后拥前辙可鉴鞍前马后巴前算后跋前踕后跋前疐后跋前踬后背前面后参前倚衡搀前落后超前绝后超前轶后承前启后惩前毖后打前站当前决意风前残烛风前月下朝前夕惕覆前戒后顾前不顾后光前绝后光前启后光前耀后光前裕后花前月下忌前之癖鉴前毖后阶前万里举前曳踵空前绝后空前未有郎前白发狼前虎后驴前马后马前泼水马前卒门前冷落趋前退后人前背后食前方丈思前虑后思前算后思前想后通前彻后通前澈后通前至后褪前擦后想前顾后星前月下意前笔后意前笔启乍前乍却瞻前顾后瞻前忽后瞻前虑后遮前掩后争前恐后樽前月下不顾前后不记前仇蹈袭前人奋勇前进复蹈前辙负驽前驱负弩前驱各奔前程后恭前倨后果前因后合前仰后巷前街后仰前合后拥前呼后拥前驱后拥前遮兼程前进锦片前程捐弃前嫌尽释前嫌锦绣前程刘郎前度名列前茅事非前定史无前例痛涤前非痛改前非痛悔前非稳步前进袭蹈前人消释前嫌踵武前贤百战无前踟蹰不前踌躇不前车到山前必有路吃苦在前，享受在后车在马前大敌当前毒手尊前顿足不前奋勇向前奋勇直前方丈盈前顾后瞻前观望不前裹足不前后浪催前浪后浪推前浪祸在眼前绝后光前绝后空前糠秕在前恇怯不前快意当前敛后疏前徘徊不前却步图前却行求前食方于前盛况空前所向无前踏步不前褪后趋前停滞不前五百年前是一家王后卢前畏缩不前畏葸不前膝行而前鱼贯而前勇猛直前一往无前一往直前勇往直前月下风前月下花前月下星前有言在前意在笔前趑趄不前真人面前不说假真人面前不说假话丑话说在前头光棍不吃眼前亏各人自扫门前雪好汉不吃眼前亏长江后浪推前浪簸之扬之，糠秕在前一夫荷戈，万夫莫前远在天边，近在眼前。 7. 前面有四的还有哪些成语 四通八达、 四邻八舍、 四六骈俪、 四方辐辏、 四角俱全、 四肢百体、 四面受敌、 四时充美、 四面出击、 四时八节、 四近之臣、 四海升平、 四海飘零、 四衢八街、 四海困穷、 四体百骸、 四姻九戚、 四山五岳、 四体不勤、 四大皆空、 四战之地、 四海承风、 四海之内皆兄弟、 四海升平、 四邻不安、 四面楚歌、 四纷五落、 四至八道、 四平八稳 8. 四字成语前面两字一样的都有什么成语 步步为营、彬彬有礼、楚楚不凡、刺刺不休、侈侈不休 楚楚动人、察察而明、楚楚可爱、楚楚可怜、楚楚可人 草草了事、蹙蹙靡骋、草草收兵、察察为明、迟迟吾行 陈陈相因、超超玄著、蠢蠢欲动、绰绰有余 、花花世界 绰绰有余、楚楚有致、楚楚作态、咄咄逼人、喋喋不休 鼎鼎大名、旦旦而伐、咄咄怪事、咄咄书空、代代相传 多多益办、鼎鼎有名、恩恩相报、愤愤不平、忿忿不平 纷纷不一、泛泛而谈、泛泛之交、泛泛之人、泛泛之谈 格格不纳、格格不入、格格不吐、呱呱堕地、官官相护 官官相为、官官相卫、耿耿于怀、耿耿于心、呱呱坠地 昏昏欲睡、恢恢有余、赫赫之功、赫赫之光、矫矫不群 久久不忘、踽踽独行、戛戛独造、蹇蹇匪躬、九九归一 汲汲顾影、九九归原、斤斤计较、斤斤较量、岌岌可危 津津乐道、赳赳武夫、寂寂无闻、井井有法、井井有方 炯炯有神、济济一堂、井井有条、津津有味、井井有序 井井有绪、斤斤自守、眷眷之心、侃侃而谈、款款而谈 夸夸而谈、侃侃而言、夸夸其谈、空空如也、口口相传 硁硁之愚、恋恋不舍、荦荦大端、落落大方、荦荦大者 落落寡合、碌碌寡合、历历可辨、历历可见、了了可见 历历可考、历历可数、寥寥可数、落落难合、恋恋难舍 朗朗乾坤、累累如珠、琅琅上口、朗朗上口、栗栗危惧 寥寥无几、碌碌无能、碌碌无奇、碌碌无为、碌碌无闻 历历在耳、历历在目、绵绵不断、绵绵不绝、闷闷不乐 绵绵瓜瓞、脉脉含情、面面俱到、面面皆到、面面俱圆 芒芒苦海、茫茫苦海、蔓蔓日茂、面面厮觑、默默无闻 没没无闻、默默无言、面面相睹、面面相看、面面相窥 面面相觑、目目相觑、脉脉相通、面面圆到、靡靡之声 靡靡之音、靡靡之乐、念念不忘、呶呶不休、诺诺连声 喏喏连声、喃喃细语、念念有词、袅袅余音、喃喃自语 仆仆道途、仆仆风尘、翩翩风度、翩翩公子、仆仆亟拜 翩翩年少、翩翩起舞、翩翩少年、飘飘欲仙、切切此布 区区此心、拳拳服膺、戚戚具尔、茕茕孑立、谦谦君子 切切私语、窃窃私议、窃窃私语、拳拳盛意、区区小事 拳拳在念、切切在心、区区之众、拳拳之枕、人人皆知 穰穰满家、人人自危、生生不息、生生不已、善善从长 施施而行、 *** 俱全、姗姗来迟、珊珊来迟、丝丝入扣 滔滔不断、滔滔不绝、滔滔不竭、滔滔不尽、头头是道 途途是道、堂堂一表、亭亭玉立、亹亹不倦、娓娓不倦 恶恶从短、娓娓动听、娓娓而谈、唯唯连声、哓哓不休 小小不言、悬悬而望、栩栩如生、轩轩甚得、循循善诱 息息相关、欣欣向荣、息息相通、惺惺相惜、心心相印 栩栩欲活、休休有容、贤贤易色、欣欣自得、星星之火 惺惺作态、幺幺小丑、源源不断、源源不绝、怏怏不乐 悒悒不乐、郁郁不乐、鞅鞅不乐、依依不舍、怏怏不悦 泱泱大风、洋洋大观、洋洋得意、扬扬得意、源源而来 翼翼飞鸾、郁郁寡欢、遥遥华胄、龈龈计较、遥遥领先 盈盈秋水、遥遥无期、永永无穷、冤冤相报、依依惜别 遥遥相对、翼翼小心、牙牙学语、洋洋盈耳、燕燕于归 英英玉立、峣峣易缺、跃跃欲试、盈盈一水、奄奄一息 淹淹一息、摇摇欲坠、扬扬自得、洋洋自得、元元之民 芸芸众生、遥遥在望、遥遥领先、惴惴不安、孜孜不辍 孜孜不怠 、孳孳不倦、孜孜不倦、谆谆不倦、孜孜不懈 啧啧称羡、花花世界、行行蛇蚓、花花太岁、赫赫有名 啧啧称赞、谆谆告诫、谆谆告戒、谆谆诰诫、谆谆教导 铢铢较量、凿凿可据、湛湛青天、蒸蒸日上、谆谆善诱 铮铮铁骨、铮铮铁汉、孜孜无怠、孜孜无倦、粥粥无能 铢铢校量、振振有辞、振振有词、凿凿有据、作作有芒 孜孜以求、铮铮有声、足足有余、沾沾自好、字字珠玑 昭昭在目、沾沾自满、正正之旗、沾沾自喜、沾沾自炫 字字珠玉、点点星光、条条大路、步步高升、斤斤计较 默默无闻、天天向上、欣欣向荣、莘莘学子、孜孜不倦、嗷嗷待哺、哀哀父母、哀哀欲绝、昂昂自若、步步登高 衮衮诸公、高高在上、惶惶不安、忽忽不乐、绰绰有余 侃侃而谈、夸夸其谈、冥冥之中、蠢蠢欲动。

　　★主唱_查斯特(Chester Bennington)∶玩团前Barista西雅图咖啡店店员　　★主唱_麦可(Mike Shinoda)-兼管节奏、取样、键盘、吉他∶玩团前绘图家。日美混血。SHINODA在日本姓"信田"。　　★鼓_罗伯(Rob Bourdon)∶玩团前服务生　　★吉他_布莱德(Brad Delson)∶玩团前大学生　　★DJ/Sample_乔瑟夫(Joseph Hahn)∶玩团前绘图家。韩国后裔　　★贝斯_菲尼克斯(Phoenix)∶玩团前就是乐师

extreme[英][ɪkˈstri:m][美][ɪkˈstrim]adj.极端的，过激的; 极限的，非常的; 末端的; （政治上）急进的; n.极端; 困境; [数]极限值; [常用复数]在两末端的事物; 复数：extremesinjure[英][ˈɪndʒə(r)][美][ˈɪndʒɚ]vt.损害，毁坏; 伤害（名誉、自尊等）; （尤指事故中）伤害; 伤害（感情，自尊心等）; 第三人称单数：injures过去分词：injured现在进行时：injuring过去式：injured

前无古人，人山人海，人中之龙，龙腾虎跃。跃然纸上。上善若水…

rotten来自于动词rot，就是腐败，腐烂。rotten本意是腐烂了的意思。作为非常这个意思来讲，其实是一种引申的含义。类似于糟糕透顶、烂透了。所以带有强烈的贬义。而且并不是真正的非常。extreme是名词，标准意义上的非常，极其，极端。不带褒贬。比如，他把他的天赋发挥到了极端。He makes use of his talent to an extreme.也可以是形容词。非常的，极端的。极其的。但这很中性。不带褒贬。

你....这是寒假作业吗???我也有这作业....我正在写呢...不过我只有杨柳风、亚瑟王与圆桌骑士、白鲸记的，没有劝导的直接给你读书笔记啦。。。。感谢我吧，这是我一个字一个字打出来的，绝对原创！！！（本人有些自恋，请不要在意。。。）Monday, February 08, 2010 The name of the book: King Arthur and the Knights of the Round Table The author of the book: Thomas Malory Summary: Only the next king can pull the sword out of the stone. Many people try, but they cannot move sword. Then young Arthur tries, and it comes out easily. Now he is king. And he is a perfect king. His people love him very much. But one day, Sir Pellinore (one of his Knight) fights with him, because the bad Queen Morgan Le Fay sent him and told him something wrong. So the Sword in the Stone damaged. After that, King Arthur with Marlin——which person often help him, and has strong magic——found the Excalibur. Excalibur is a sword which founding by the Lady of the Lake. The sword was inside a magic scabbard——no one can kill a person with that scabbard. But Queen Morgan Le Fay took it into the black water. So at least, King Arthur was killed by a traitor——Mordred. The Excalibur was throwed into the lake by Sir Bedivere. Comments:At least, there is no ‘head of the table" at a round table，and no one is at a privileged position. Thus the knights were all peers and there was no "leader" as there were at so many other medieval tables. There"re indications of other circular seating arrangements to avoid conflicts among early Celtic groups. However, one could infer importance on the basis of the number of seats each knight was removed from the king. The Siege Perilous ("dangerous chair") was reserved for knights of pure heart.Digest:①Words: archbishop castle helmet knight lady scabbard sword above②Sentences: 1. I will not always be here. 2. I only know that I love you. 3. I am the strongest of King Arthur"s Knights, so I will fight with you without a helmet.Monday, February 15, 2010The name of the book: The Wind in the willowsThe author of the book: Kenneth GranhameSummary:Toad is a dangerous driver. He has six accidents, and the police are very angry with him. But then Toad buys another car. His friends——Rat, Mole and Badger——have to stop him driving. They go to Toad"s house and try their best to stop him. But Toad escapes. He takes somebody"s car and drives it. The police catch him. But he escapes, too. He returns his home, but he finds that his house has been robbed by many weasels. But at least, Toad and his friends beat weasels, and Toad was different now!Comments:This is a Famous article written by the American writer Helen Keller, who was both deaf and blind. In this passage Helen mainly warned us to be aware of our listless attitude towards life. And asking us to care the things we always thought to be ordinary. Finally, her advice of "it would be an excellent rule to live each day as if we should die tomorrow" Gives me the deepest impression.Digest: ①Words: caravan dust row hole stick tunnel wild willow adventure judge lock officer prison washerwoman②Sentences: 1. I hate being unkind to Toad. 2. But there isn"t a tunnel. 3. We"ll have a lot of work tomorrow.Friday, February 19, 2010The name of the book: Moby DickThe author of the book: Herman MelvilleSummary:Captain Ahab hates Moby Dick--“the white devil”--because he lost a leg to the white whale in a fight. Now Ahab, the captain of a whaling ship, can only think of one thing. He has to find Moby Dick and kill him. Many of the other sailors on the ship don"t know about their captain"s plan. Ishmael is a young sailor and this is his first whaling job. He and his new friend, Queequeg, sail with Captain Ahab on this exciting and dangerous trip. Also on the ship are Starbuck, Srubb, and other whalers from different countries. He is prepared to sacrifice everything, including his life, the lives of his crew members, and even his ship to find and destroy his nemesisComments:All of the members of the Pequot"s crew have biblical-sounding, improbable, or descriptive names, and the narrator deliberately avoids specifying the exact time of the events and some other similar details. These together suggest that the narrator—and not just Melville—are deliberately casting his tale in an epic and allegorical mode.Digest:①Words: sail rich death ocean dream die star sleep gold sky fight rope harpoon②Sentences: 1. Will you watch our ship when I fight Moby Dick? 2. He sat high up in the sails and watched. 3. Moby Dick came to the top of the water.绝对原创！！！！！！！！！！

比较好的英语词典有：1、朗文当代高级英语辞典：朗文当代高级英语辞典自1978年首次出版以来，深受全球英语学习者喜爱。此次，第六版双解本传承以往版本的一贯特色，同时加入时代元素，让读者体验“鲜活”的当代英语，旨在为英语学习者提供交流、阅读、写作和翻译的全面解决方案。2、柯林斯英语词典：《柯林斯英语词典》是一本有印刷版和在线版的英语词典，现由哈珀·柯林斯出版集团出版。第13版收录725000个词条、释义、短语，包括8500余个地名和5500条人物传记。3、剑桥高阶英汉双解词典：《剑桥高阶英汉双解词典》是2008年1月外语教学与研究出版社出版的图书，作者是英国剑桥大学出版社。收词广泛全面：共收录词目、短语170，000余条，增收新词1000余条，覆盖面广，集学习词典、搭配词典、习语词典、考试词典于一身。4、牛津高阶英汉双解词典：牛津高阶英汉双解词典配上了中文释义和例句。原版是在霍恩比先生在英国以外的国家长期从事英语教学的基础上，针对英语非母语的读者编纂的目的是学习英语的词典。5、牛津英语词典：《牛津英语词典》被认为是当代最全面和最权威的英语词典，被称之为英语世界的金科玉律。该词典收录了出版时亦知的所有进入到英文中的词汇，以及在该词的来源和流变。每一个词汇都列有注音。