我的画像作文怎么写

朱元璋本身长的比较奇特,但是他叫宫廷画师给他画像的时候,画师不敢按真是的他来画,不然画出来太丑的话是要被砍头的.
所以宫廷画师画出来的朱元璋的画像石经过美化的.
而民间就无所谓了,民间画师把朱元璋的原貌画出来了,所以相比经过美化的就截然不同了.
所以朱元璋有两种截然不同的画像.

（1）使用第二人称,侧重肖像描写.
（2）运动比喻、排比两种修辞手法.
（3）结构相对完整,语言简明、连贯、得体.

1．，：“？”
2．（1）A　（2）D
3．准确　干净　规范
4．因为从叶老修改“我”的文章中让“我”看到了叶老对文章一丝不苟，对人平易真诚，所以受益匪浅。
5．一丝不苟，严谨认真
（意思对即可）

一头金发、高额头,蓝眼睛,白净端庄的脸庞显出坚定又略带淡泊的神情,而那双微微内陷的大眼睛,则让你觉得能看透一切,看透未来.
从外貌上来讲,“居里夫人是属于哪一类很漂亮的女子,她的肖像如今挂便世界各国的科研教学机构,我们仍然可以看到她昔日的风采.”“漂亮的外貌已足以使她讨得周围所有人的喜欢”“为了不受漂亮的干扰,她故意把一头金发剪得很短”“这个高额头、蓝眼睛、身材修长的漂亮的异国女子,很快成了人们议论的中心.男学生们为了能更多地看她一眼,或有幸凑上去说几句话,常常挤在教室外的走廊里,她的女友甚至不得不用伞柄赶走这些追慕者”“25岁的妙龄”“一个漂亮的小姑娘”等等,都可以看出居里夫人是一个很迷人的美女（学者）.

我突出的优点：持之以恒,
我明显的缺点：丢三落四,
我的待人接物：助人为乐、乐善好施、彬彬有礼、以诚相待.
我的理想：悬壶济世、丹青妙手、桃李满天下、百尺竿头,更进一步.

B

同学们在学习过程中遇到问题，要主动向老师请教，虚心求学， 不耻下问 。
（不耻下问指不以向不如自己的人请教为耻，而老师比学生知识丰富用在此处不准确。）

因为在少数民族地区,认为松赞干布是佛的化身,所以为求佛的保佑,塑像上都是这样的

身长八尺,面如冠玉、唇似朱漆、鼻若悬胆、目若朗星、期间闪烁智慧光芒.头戴纶巾,身着紫色道袍,手中持着白色鹅毛扇,脚踏皂靴,全身散发一种让人不能直视的魅力.

壮志凌云
志在四方
闻鸡起舞
雄心壮志
老当益壮
非池中物
有志之士
壮志凌云
老骥伏枥、志在千里
好男儿志在四方
励精图治
鸿鹄之志
雄心勃勃
壮志凌云
鹏程万里
云中之鹤
自强不息

vdsl;f

说明汉代的市集与居住区是独立存在的,在城市特定的区域设置；而且开放时间是有限制的,超过时间就会封闭.

详细答案已经出来 采纳马上发答案 不必浪费时间

解题思路：根据物理学家的注意贡献进行分析答题．

阿基米德研究了浮力与物体排开液体重力的关系，得出了阿基米德原理；
奥托做了马的堡半球试验证明了大气压的存在；
帕斯卡研究了液体压强与液体深度的关系，得出了帕斯卡定律；
托里拆利历史上第一次测出了大气压值；
故答案为：（1）阿基米德提出了阿基米德原理；（2）奥托证明了大气压的存在．

点评：
本题考点： 物理常识．

考点点评： 学习物理学史、了解科学家及其主要贡献即可正确解题，本题是一道基础题．

Van Gogh's Portrait of Dr.Gachet

老师，你快坐好，我来给你画像。 您的眼睛是那么有神，像是一盏黑夜里的明灯，时刻提醒着我们是与非、好与坏。您总是对我们投来关怀的目光，让我们是可感受到温暖的存在；有时在我们不听话时对我们射来警告的信号，让我们时刻注意到我们的错误。虽然您戴着一副眼镜，但镜片下那双炯炯有神的眼睛我依然会喜欢。 老师，您先别动，我再给您画像。 该画您的手了。您用您的手写出了一章章优美的诗篇，备出了一课课精彩的教案，书写出...

1963年,我上初三,写了篇作文交.
魏格纳兴奋的说：“这不会是一种巧合吧 ?”
我们现在开设语文、数学、科技、艺术、体育这几门课.

A

科学家名 主要研究范围 命名为
何单位 在物理学中作出何种重大贡献（每位只要求填写一项）
牛顿 力学 力 牛顿第一定律
焦耳 热学 能量 焦耳定律
欧姆 电学 电阻 欧姆定律
法拉第 电磁学 无 电磁感应现象

我的自我画像
说起我自己我吗，今年十一岁，长着乌黑的头发，大眼睛，小小的耳朵和鼻子，和一个大嘴巴，它们都“住”在我那圆圆的脸蛋上了。我长得不是很高，但长的很胖，这是我唯一的缺点。我也有优点，我喜欢干事利索，一本正经，有始有终，不喜欢拖泥带水，磨磨蹭蹭的。我坚持不懈地去做一件事，就算遇上再大的困难，我也会继续。对英语真得可以说是七窍通了六窍——一窍不通。那时我已经四年级了，我这个人本来就要强，看着同学们在考试的时候总是能拿到理想的分数，自己却不可以，心里真得很不是滋味。也就是在这时候，我在心里暗暗里下决心：我一定要赶上我们班同学，争取超越他们！从那以后，我便开始为兑现自己的诺言付出努力：每周日都上3个小时的课外班；每天晚上都做练习……就这样，凭着我对英语的执着，我的英语成绩慢慢的提高了，不知不觉中，我的英语成绩已经名列前茅，这使得我别提有多高兴了！同样，这也印证了中国的一句古话：世上无难事，只怕有心人！
没有一个人是完美的，当然我也许多缺点。但其中最“致命”的还是我非常的马虎。这个缺点已经伴随了我六年了，我真得很想改掉它。可是，我怎么努力也无济于事，总是在重要关头出现一些小错误。我真的希望我可以改掉这个缺点，

答案C
本题主要考查对李时珍功绩的把握，李时珍一生最大的功绩是对中医药学的贡献。

　　文艺复兴是复兴古希腊和罗马的文化和艺术（这只是文艺复兴的一方面啦）,古希腊时期似乎挺喜欢橄榄枝或月桂树的.代表和平与胜利.
　　以下为百度内搜出来的
　　橄榄枝
　　给体育竞技中的优胜者加冕某种树枝做成的冠,原本是一个源自古希腊的传统.据文献记载,在古希腊至少有五种系列的运动会.第一种就是奥林匹克运动会,为纪念宙斯,在奥林匹亚举行,每4年一届,公元前776年那届首次有优胜者的名字留下.优胜者被授予野生橄榄枝冠,头上抹橄榄油.第二种是皮提亚（Pythian）运动会,为纪念太阳神阿波罗,在特尔斐举行,每4年一届,除了体育竞技外还有音乐比赛,优胜者被授予月桂枝冠.第三种是尼米（Nemean）运动会,每5年一届,优胜者被授予一顶欧芹冠.第四种是伊斯米亚（Isthmian）运动会,为纪念海神波赛冬,在科林斯举行,每两年一届,进行体育和音乐比赛,优胜者也被授予一顶欧芹冠（一说松枝冠）.第五种是赫拉运动会,为纪念天后赫拉,在奥林匹亚举行,每四年一届,参赛者必须是年青女性,优胜者被授予野生橄榄枝冠.据说赫拉运动会很可能比奥林匹克运动会更古老.
　　月桂
　　埃及人用月桂用得极多,它也倍受罗马人的青睐,罗马人视之为智能、护卫与和平的象征.人们也常将月桂树与医疗之神阿波罗联想在一起.月桂的拉丁字源Laudis意为『赞美』,所以在奥林匹克竞赛中获胜的人,都会受赠一顶月桂编成的头环,而『桂冠诗人』的意象,也正是由这个典故衍生出来的.

第二句的意思是人做事开始做的好的很多
但能坚持到最后的人和少
多数人做事都是虎头蛇尾
第一句是杜甫的
杜甫登上岳阳楼以后想到了当时吐蕃犯边的情况,不禁潸然泪下了.剩下的自己写

1．C　B　A
2．（1）把用字不准确的地方改正确。如“一张画像”改为“一幅画像”；
　 （2）把长句断成短句；
　 （3）修改句子，使句子更干净，更规范。
3．（1）句子简洁明白，不啰嗦　语言标准典范　认真仔细
　 （2）像春风一样从脸上轻轻擦过，形容使人感到非常愉快，舒服　比喻

我的优点：多才多艺、心手相应
我的缺点：丢三落四、拖泥带水
待人接物：敬老尊贤、以礼相待
我的爱好：（女）涂脂抺粉 （男）闻鸡起舞、刀剑如飞
我的理想：金榜题名、光宗耀祖

突出的优点：————精益求精,诚实守信,一丝不苟,幽默乐观
待人接物：———— 彬彬有礼,落落大方,侃侃而谈,为人风趣
明显的缺点：———— 刨根问底,丢散落四,反应迟钝,自以为是
理想：———事业有成,得才兼备,大展宏图,

鲁迅
不屈,是你铮铮的傲骨/如匕首投向敌人/挥手一掷/赵老爷和鲁四老爷都闻之色变
批判,是你笔下的呐喊/如大棒敲向当头/轻轻一敲/阿Q和孔乙己都幡然醒悟

法国巴黎卢浮宫.

幅　则　墙　篇　片　个

解题思路：（1）要解决此题，需要掌握凸透镜成像的规律．
凸透镜成像规律：物距小于焦距成正立放大虚像．应用是放大镜．
物距大于一倍焦距小于二倍焦距成倒立放大实像，像距大于二倍焦距．
物距等于二倍焦距成倒立等大实像，像距等于二倍焦距．
物距大于二倍焦距成倒立缩小实像，像距大于一倍焦距小于二倍焦距．
（2）要解决此题，需要掌握凸透镜成实像的特点，知道凸透镜成倒立的实像．像与物体不仅上下相反，而且左右相反．
（3）根据以上要点，对各个选项逐一分析即可．

（1）由图可知：此时物距小于像距，由凸透镜成像规律可得，物距大于一倍焦距小于二倍焦距成倒立放大实像，
（2）凸透镜成倒立的实像，像与物体的上下和左右都相反．
选项A中的像倒立放大实像，且像与物体的上下和左右都相反，符合题意；
选项B中像是倒立放大实像，但像与物体的左右相同，故本选项不符合题意；
选项C是正立缩小的像，不符合题意；
选项D是倒立缩小的像，也不符合题意．
故选A．

点评：
本题考点： 凸透镜成像规律及其探究实验．

考点点评： 此题主要考查了凸透镜成像的规律及应用，要熟练掌握规律的内容，并能够做到灵活运用．同时考查了对倒立实像的理解，要知道像与物不仅上下相反，而且左右相反．

多一些关于六年级上下册西师版的考试卷

我在上这一课

莎士比亚
批判，是你手中的利器
如闪电划向苍穹
微微一转
麦克白和夏洛克就汗颜无比

按图索骥,骥,是马.是照样画葫芦的意思.

D

只有雍正的

（1）如：目标一致、团结友爱、互帮互助、秩序井然、患难与共、纪律严明等。（符合要求即可）有利于我们增长知识、提高能力、发展特长、培养良好品德、陶冶情操，团结和睦，共同进步，促进我们身心健康发展。
（2）“略”。（符合题意即可）
（3）如：团结的集体才有力量；集体是我家，创建要靠你我他等。

"The Picture of Dorian Gray" is the classic tale of vanity written by Oscar Wilde updated and adapted by Duncan Roy.Artist Basil Hallward has become obsessed with Dorian Gray whose beauty is the focus of a new portrait/installation.When the young Dorian sees thei nstallation for the first time he resents the portrait wishing it would grow old and ugly instead of him.Henry is the cynical,ntellectual friend and agent of Basil Hallward who befriends Dorian in spite of his friendship with Basil.Henry is responsible for Dorian's transformation from angel to devil.
"The Picture of Dorian Gray" 是一个关于自负的经典故事,由英国作家奥斯卡·王尔德创作,是极少数唯美主义小说之一.天生漂亮异常的道林格雷因见了画家霍华德给他画的真人一样大的肖像,发现了自己惊人的美,又听信了亨利爵士的吹嘘,开始为自己韶华易逝,美貌难久感到痛苦,表示希望那幅肖像能代替自己承担岁月和心灵的负担,而让自己永远保持青春貌美.他的这个想入非非的愿望后来却莫名其妙的实现了.他开始挥霍自己的罪恶,最后这幅肖像却成为了记录恶行的证据,他因肖像而生也因肖像而死.
一个人的画像是否比他的面孔更多地反映他自己?如果画像是用爱的画笔描绘的,或许它能反映这个人外表以外更多的东西——或许它能反映这个人的内心世界.
我们经常说脸像一本书,能自己讲述故事.当多里安·格雷看到画像中自己的面孔时,便爱上了自己的美貌.任何事物都不能损害他的美貌,任何事物都不能伤害或改变它——爱不能,甚至时间也不能.因此,他切断了他的脸和内心、他的外表和内在世界的联系.他的脸没有改变,总是年轻、漂亮.但是这幅画像——用爱的画笔描绘的画像——却在讲述着真实的故事.它才是真实的多里安·格雷——一天天变老、变丑并满怀恨意.
奥斯卡·王尔德（1854—1900）是爱尔兰最杰出最聪颖的作家.他的剧本和儿童故事,以及《多里安·格雷的画像》虽然是近一百年前的作品,但至今仍受读者喜爱.

拜圣
被称为“至圣”

从侧面衬托出蒙娜丽莎非常受欢迎.

世界上的容颜千种万种,最难忘的就是那老师的样子.他（她）灿烂的模样早已印在我心中,现在,我要给我最敬爱的老师画张像.

Portrait of a Lady
Henry James
Isabel Archer is an American young woman brought to Europe by her aunt, Mrs. Touchette. She meets her uncle, Mr. Touchette, and cousin, Ralph, and lives with the Touchette family in their home at Gardencourt.
As she stays with the Touchettes, a neighbor, Lord Warburton, falls in love with her and proposes. She turns him down. Her friend from America, Henrietta Stackpole, also comes to England and spends some time with Isabel. Henrietta is more outspoken and opinionated than Isabel and tries to guide her friend before she leaves Isabel at Gardencourt. Ralph Touchette stands back and watches all of them with a bit of cynicism.
Mrs. Touchette is planning to take Isabel to her residence in Europe. First she must stay in England while family matters conclude. While Ralph and his parents are tied up, another visitor comes to Gardencourt. Madame Merle is the most fascinating person Isabel has ever met. She seems to be her own person and very accomplished.
This synopsis barely gets the story started. Isabel comes into a great deal of money and is now independent. She goes to Europe with Mrs. Touchette and meets yet another suitor, Gilbert Osmond, and his daughter, Pansy. Lord Warburton meets her in Rome. An American suitor comes over to see her in Europe. Isabel makes choices that affect the rest of her life, and then has to deal with the consequences.
The Portrait of a Lady is a classic, first published in England in 1881 and in the United States in 1901. James takes us through Isabel's life, never apologizing for her actions. James also is not known for happy endings. Unfortunately, he also is known for being wordy. I found him very wordy. And boring by the middle of the book. By the time Isabel was is Florence and meeting Gilbert Osmond I was tired of reading the droning paragraphs. I liked his characters' interactions and development. But those were not enough to keep me awake. Too often I found this book to be a good sleeping tool. While there are others who agree with me, this book is still considered a masterpiece. Many a student will have to study it in school. Thank goodness for those people with my temperament there are Cliff notes. - But read on -
10/27/2000 This review is by Pat
The simple story here is of a brilliant, sensitive young woman who is given a fortune by a cousin's intervention with the goal of helping her find her destiny. The story is beautifully designed to lead inexorably to a tragic ending, affirming at the same time an unbreakable adherence to moral codes between individuals, and only incidentally the product of church or state.
The plot is developed solely upon the heroine's character. All others are tools of her fulfillment or destruction. Her lofty intellect, in the end, gives her an awareness of the inevitable conclusion to her own decisions and the need to accept them, and to hopefully await a better situation. All the characters are deeply drawn and faulted, and even the heroine has the self esteem to warn her of the trap that has been set against her.
There are slow spots, as in any 700 page novel, but I am greatly looking forward to my book club discussion of this next month. It will be followed by high tea at the Ritz Carlton. A month later this discussion will lead to luncheon and a movie excursion to see the perfect Nicole Kidman in the role of Isabel Archer. There is a great deal of wonderful information on line to enhance understanding and enrich pleasure. It is, in spite of its length, a book to read at least once again. It is not dirtied by frog princes. If you require this, I recommend Hans Christian Anderson!
------------------------------------------------------------
Kidnapped!
Robert Louis Stevenson
David Balfour's father, a poor cleric in a small village, has died. His mother has since died, so David is now alone in the world. Mr. Campbell, the local minister, gives David a message from his father to a mysterious "Ebenezer Shaw." That is when David discovers he has unknown relatives.
When David finally arrives at the Shaw "mansion" he is appalled. By now he has learned it has an unsavory reputation and the owner is hated by all the neighbors. Despite this, David approaches the dark, partially finished house. His uncle Ebenezer reluctantly welcomes David. After a short time, David realizes there are secrets being kept. Was David's father the true elder brother? Should David himself be the owner of the Shaw money and lands rather than his Uncle?
Before he can discover the truth, he accompanies his uncle on a business trip to the wharf. They visit one of the ships Ebenezer Shaw deals with. David is coshed on the head and wakes up in the hold, the ship under way. He is on his way to the American colonies to work on the Carolina plantations. At first he is held prisoner; later he is able to work on the ship and have more freedom.
David's adventures are only beginning. As the ship is sailing north around Scotland, they strike another boat and rescue the survivor. This survivor has secrets, connections, and money. Quickly David finds himself aligned with this man against the sailors. From there he encounters hardships, travails, and excitement he could not have imagined before he left his father's home.
This is a children's to young adult classic. Robert Louis Stevenson wrote wonderful yarns that were popular well beyond his lifetime and death over 100 years ago. Kidnapped is all right, not great. I never felt real involved with David nor cared overly much what happened to him until very near the end. Yet his sufferings while shipwrecked and on the run were well depicted. I could feel the parched throat and aching feet. While it's not Stevenson's best, this book still stands the test of time.
another version:
By JEFF STEIN

--------------------------------------------------------------------------------
RANSOM
The Untold Story of International Kidnapping.
By Ann Hagedorn Auerbach.
481 pp. New York:
Henry Holt & Company. $25.
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he cold war had its blessings. One was that an American tourist or businessman wasn't so likely to be kidnapped in the so-called third world; guerrillas were too busy knocking over banks or blowing up local police stations. But in today's no-boundaries, mountain-climbing, eco-traveling, adventure-stretching world, tourists and profit-seeking foreign businessmen have become food for the fish that used to swim among the people. In places like Cambodia, Yemen, the Philippines, Kashmir, Mexico and especially Colombia, where kidnappers are as common as bodyguards, foreigners might as well wear dollar figures on their Banana Republics. Ransom demands start in the millions, and, as protection rackets go, business is good.
So Ann Hagedorn Auerbach reports, in what might have been an exciting foray into this shadowy world but instead dissolves into a moralistic tale relying principally on secondhand sources and the pronouncements of government spokesmen. Auerbach, the author of ''Wild Ride: The Rise and Tragic Fall of Calumet Farm, Inc.,'' lends her considerable compassion to the kidnapping targets and their families, who well deserve it for the cruel suffering they must endure. But this leads her to sacrifice a journalistic detachment that might have more effectively served her subject. Let the victims write their own stories.
Still, she's onto something. As she reports in ''Ransom,'' worldwide kidnappings have soared from a total of 951 in 73 countries between 1968 and 1982 to 6,500 in Latin America alone in 1995. By 1996 there were four kidnappings a day in Colombia, the Fort Knox of ransom proceeds, with $328.9 million forked over by corporations and families from 1991 through 1994.
Why the upsurge? For one, there are more targets available, including a record 3.27 million Americans living abroad. Foreign travel has increased yearly by 10 percent, Auerbach notes, to over 50 million travelers in 1995, with many drawn to such ever more remote and exotic offerings as rain forests and tours of stone-age tribes in situ. How wonderfully exciting, but also dangerously provocative, considering that the income gap between tourists and locals tripled between 1960 and 1993.
Auerbach's story begins grippingly enough in the early morning of Aug. 13, 1995, when peasant women in Indian-occupied Kashmir discover a headless torso on the side of the road. It turns out to be that of Hans Christian Ostro, a Norwegian tourist kidnapped two months earlier, along with two Americans, two ''Brits'' (as Auerbach annoyingly calls them) and a German who had gone mountaineering in the high foothills of the Himalayas. The initials of Al Faran, a Pakistani-backed Muslim separatist group, had been carved in his chest. One of the Americans, a Connecticut businessman, John Childs, escaped after five days; the fates of the rest remain unknown.
This tortuous tale, with its three years of heartbreaking waiting, interagency wrangling, dedicated bureaucrats, colorful private operatives, aborted rescues and bitter Pakistani-Indian rivalries, would have been plenty enough for a thrilling -- and sobering -- book. Instead, the scope of ''Ransom'' is expanded to other kidnappings, the purpose of which appears to be to roll out portraits of steely-eyed ex-C.I.A. and British operatives who people the ranks of private kidnap negotiators. As it is, Auerbach loses traction on her story every time she cuts away for excursions to kidnappings in other countries or, worse, dreary expositions on the history of kidnapping. She also fails to develop tantalizing tidbits about the activities of a United States Delta Force team sent to Kashmir, or the ability of American spy satellites to fix the kidnappers' location by tracking their radiotelephone calls. Granted, such secrets are hard to crack, as are the behind-the-scenes negotiations carried out by government agents or shadowy businesses like Control Risks Group, the London-based concern often called on to secure someone's release. But that is the real story of a ransom, and it's the one we want to read.

1.人物描写是（作品 ）表现（ 其中各个角色 ）的主要手段.
2.人的社会地位,（性格特点 ）,（ 生活经历 ）,（ 甚至当前的状况 ） 常可以从其外貌上表现出来.
3.外貌描写的关键在于（ 准确贴切 ）,（ 特点鲜明 ）.
4.抓住人物的突出特征去描写,可以表现人物的（ 特性 ）,突出文章的（ 基调 ）.

本文按（ 时间 ）顺序写了在 纽约观看《蒙娜丽莎》画像的过程.

他会采取大胆的行动还是简单的妥协呢?

one couple were viewing and admiring works of art in a museum.The nearsighted wife,she standed in front of one works and spoke to his husband:"here look,this is the guliest picture I have ever seen in my life.the husband drawed his wife promptly and bleated:"come here,darling.it's not a picture,it's a mirror.

突出的特点：浓眉大眼,天庭饱满,虎背熊腰,膀大腰圆
明显的优点：乐善好施,豁达开朗,心胸宽阔,斗志昂扬
待人接物：和蔼可亲,笑容可掬,面面俱到,轻声细语
理想：世事洞明,知书达理,神机妙算,家有万贯

凡事要靠自己,自己想啊!

D；D

作者简介奥斯卡·王尔德(1854－1900年),19世纪末英国唯美主义的代表作家、诗人、剧作家和童话作家.生于都柏林的一个家世卓越的家庭.曾在英国牛津大学攻读古希腊的经典著作,并开始文学创作活动.早在他的童话为世人所...