一霎的意思是，我还知道有( ) ( )这样这样几个词语和它表示意思一样的？

埋怨照顾低沉冰凉
瞬间刹那霎那
书山有路勤为径,学海无涯苦作舟
学习唯有勤奋刻苦才能有进步
AAC 腔血 怒 姿 怀大 衷 开辟 暴 甘弱
心花怒放--开怀大笑 满腔热血—无动于衷 自暴自弃—不甘示弱

　　词牌“摊破浣溪沙”其实就是“山花子”,文人给词牌起名字一定要遵循时代的标准和自己的需要.给它起个合意的名字,就仿佛它和自己亲,成了情人一样,心里爽了,灵感也容易找到些.其实两者的格律是一样的.来说说“山花子”为何叫做“摊破浣溪沙”.《饮水词》中“浣溪沙”就最多.《词谱》取“五代李璟词,注唐教坊曲名.”（李璟就是李后主的老爹,父子俩爱好颇一致,都好音律,擅填词）
　　“摊破浣溪沙”实际上就是由“浣溪沙”摊破而来.所谓“摊破”,是把“浣溪沙”前后阕的结尾,七字一句摊破为十字,成为七字一句、三字一句,原来七字句的平脚改为仄韵,把平韵移到三字句末,平仄也相应有所变动.李璟那首词在《词律》中词牌就直接标为“摊破浣溪沙”.此后的词人觉得好就一直沿用.
　　这首词可与“风絮飘残已化萍”比对来看,都是自怜自伤太甚的哀词.无论是“悔”或是“不”,总归还是免不了多情所扰……所不同的是,这首词抒写是离情,在技巧上借用了外界的景物作为内心的映衬.“风絮飘残已化萍”像一副静态的画,旁边题着作者的的心语.而“一霎灯前醉不醒”则似一组动静交替的画面.虽然在感情的表达上有所削弱,但情景交融互相映衬,在表现手法上又相对丰富很多.全词以“一霎灯前醉不醒”起句,又以“又听鹧鸪啼遍了,短长亭”做结,上下片结构相似,皆做前景后情之语,交织浑成.犹如人从梦中惊起,尚带着三分迷惘.全词似醒似醉,意境飘摇.
　　容若这样神经纤细的人,他的离愁注定就比别人沉重,甚至有普天万物同悲的味道.在他为离别所伤的时候,云和月在雨夜淡淡的,也是看上去蒙蒙若湿将要落泪的样子.当真是愁情难遣难梦也悲,不梦也悲,唐人张泌《寄人》诗有：“倚柱寻思倍惆怅,一场春梦不分明.”容若在此翻做“畏”字则化原诗的惆怅之情为矛盾哀沉.
　　因为离愁,醉得分外快,仿佛一刹那就在灯前沉醉了,又不愿从梦中清醒过来面对伤人的离别,害怕醉中梦境和现实分明起来,偏偏在这似梦非梦,愁恨盈怀的时候,窗外的雨声淅沥不断.离人苦夜长,雨夜更是使得孤寂格外分明,以三更雨衬写离愁,清冷生动.这种“间色法”出自花间派的鼻祖温庭筠《更漏子》——
　　玉炉香,红烛泪,偏照画堂秋思.眉翠薄,鬓云残,夜长衾枕寒.
　　梧桐树,三更雨,不道离情正苦.一叶叶,一声声,空阶滴到明.
　　打在梧桐叶上的雨声,好似在敲打心坎.这既突出“离情“之“苦’,亦反映出离人长夜难眠长“思”,正合王国维“一切景语皆情语”之说,“物”皆着“我”之情也!
　　三更雨映离愁,因为太精妙贴切,就像刘希夷的《代悲白头翁》中“年年岁岁花相似,岁岁年年人不同“的妙句引发后世文坛巨大震撼一样,温庭筠发明创造了妙喻之后,古人多有化用,沿成词中一成俗.容若此词中所述的心情和心境,与飞卿词大同.这种“盗意”不“盗境”的高杆学习法,比宋之问杀外甥夺句（见《唐才子传》,真假待定.）的搞法可高明多了.
　　这两阕《山花子》,都有“人到情多情转薄” 之语,也许容若本人对此句是特别感慨良深吧!情感是共通的,却也是渐入的.“真个”这看似极平常极淡的两字,却是光亮,值得再三玩味,少了这两个字品不出容若心比秋莲苦.前番是情深转薄,现在是情深到无.还要加上“真个”两字强调,越读越有“愁多翻自笑,欢极却含啼”反语意味.人什么时候才说反语,是身不由己时,还是言不由衷却不愿被人看破时?反语一旦读穿了,比直语更让人心酸.“而今真个不多情” 看似比“而今真个悔多情“果决,其实心意更凄绝.不多情的人像自绝了天日的树木,即使生长,也在幽暗冷腻的沼泽里.
　　古人认为鹧鸪的叫声像在说“行不得,也哥哥”.长亭作别,连鸟都懂得愁苦,愿你不要远行.套用恒温的那句感慨就是“木犹如此,人何以堪.”如非必要,不要离别.因为时间会冲淡感情,人生却又是矛盾的,有时候惟有离别才能更深地体会到被人牵挂的温暖和快乐.
　　我憎恨离别.但若,离别能你牵挂我,我愿意——离开你.

He Won
Tommy: How is your little brother, Johnny? Johnny: He is ill in bed. He hurt himself.
Tommy: That's too bad. How did that happen?
Johnny: We played who could lean furthest out of the window, and he won. I Have His Ear in My Pocket
Ivan came home with a bloody nose and his mother asked, "What happened?"
"A kid bit me," replied Ivan.
"Would you recognize him if you saw him again?" asked his mother.
"I'd know him any where," said Ivan. "I have his ear in my pocket." A Good Boy
Little Robert asked his mother for two cents. "What did you do with the money I gave you yesterday?"
"I gave it to a poor old woman," he answered.
"You're a good boy," said the mother proudly. "Here are two cents more. But why are you so interested in the old woman?"
"She is the one who sells the candy." Drunk
One day, a father and his little son were going home. At this age, the boy was interested in all kinds of things and was always asking questions. Now, he asked, "What's the meaning of the word 'Drunk', dad?" "Well, my son," his father replied, "look, there are standing two policemen. If I regard the two policemen as four then I am drunk."
"But, dad," the boy said, " there's only ONE policeman!" Hospitality
The hostess apologized to her unexpected guest for serving an apple-pie without any cheese. The little boy of the family left the room quietly for a moment and returned with a piece of cheese which he laid on the guest's plate. The visitor smiled, put the cheese into his mouth and then said: "You must have better eyes than your mother, sonny. Where did you find the cheese?" "In the rat-trap, sir," replied the boy.

不是小雨的意思就是瞬间的意思
采纳哦

一瞬间、一刹那

1,（1）原因
（2）停下来
（3）这里往
2,（1）广泛寻求天下有才之士
（2）善观察

D

“徙”应为“xǐ” “栖” 应为“qī”

《蚊烟》主要写 夏日的傍晚蚊子很多,蚊子的叫声像打雷一般,灭蚊不用火烧而用烟熏之.提起熏蚊用的脚炉到处游走,走过之后不见了蚊子只留下清香的味道.
《夏日食物》主要写：早上买东西,拿着篮上大云桥,今天不吃麻花粥,吃荷叶糕
蟋蟀》主要写一个农家孩子与蛐蛐嬉戏的情景,充满了淳朴的乡村气息与童真童趣,清新自然.表现了作者对童年生活的怀念,并省悟童心出于天真的可珍惜.

C

此题考查的是汉字字音，平时应多积累牢记，结合词语注意多音字、形似字的读音。C项中“畔”(bàn)应为pàn。

人是情感的动物,为自己所认为真、善、美的东西所感、所动甚至所伤都是可以理解的.在爱情面前,超越民族、年龄、世俗约定的一时之“情动”,都是有可能的,可以说是真诚的.爱情应当是长久的坚持,是全心的“情动”,而并非“一时”,而常常是“一世”.
我不知道三毛这句话具体出自哪篇文章,但读来感觉情真情切,上面是我的理解.