霸王别姬翻译求翻译求翻译

霸王别姬：京剧《霸王别姬》是京剧艺术大师梅兰芳先生经典名剧之一.接下来请欣赏xxx先生（女士、小姐）为您演唱的梅派名剧《霸王别姬》选段“xxxx”
穷开心：如果眼下我们还在努力,还在奋斗,请不要时刻背负沉重的包袱,应该要留心生活里的点滴快乐,且让我们苦中作乐,一起到开心茶馆寻开心,你们说好不好!
纯爷们：大家知道纯爷们吗?下面是我们的小品演员给大家带的【纯爷们】掌声鼓励.
二人转：现实每人有自己的艺术节,是我们的幸福,我们的自豪,是我们集体智慧的结晶.我们将在以“舞动青春、挥洒风采”的主题下,尽展我们的才艺,尽显我们的风流.接下来.让我们欣赏独具特点的【二人转】!
有点不具体,但还是希望能帮到你,自己在修改,有些没找齐哈.希望能被采纳昂.

《和垓下歌》
汉兵已略地,
四方楚歌声.
大王意气尽,
贱妾何聊生!
【公元前202年】,汉王刘邦和项羽争夺天下,项羽被刘邦困在了垓下,刘邦手下有不少人会唱楚歌,项羽几番突围失败,兵孤粮尽,夜晚听到四面楚歌,以为楚地尽失,楚营里的将士们听见家乡的歌声,军心涣散,都纷纷逃跑了.楚霸王看见大势已去,心如刀绞,他什么也不留恋,只惦记着爱妾虞姬.两人饮酒帐中,不由悲伤地唱起了《垓下歌》：“力拔山兮气盖世,时不利兮骓不逝.骓不逝兮可奈何,虞兮虞兮奈若何!”
虞姬凄然起舞,忍泪唱起《和垓下歌》：“汉兵已略地,四方楚歌声.大王意气尽,贱妾何聊生!” --摘自虞姬

语出
秋水
秋水时至,百川灌河；泾流之大,两渚崖之间,不辨牛马.于是焉河伯欣然自喜,以天下之美,为尽在己.顺流而东行,至于北海,东面而视,不见水端.
于是焉年,河伯始旋其面目,望洋向若而叹曰：“野语有之曰：‘闻道百,以为莫己若者’,我之谓也.
且夫我尝闻少仲尼之闻而轻伯夷之义者.始吾弗信,今我睹子之难穷也.之门,则殆矣,吾吾非至于子长见笑于大方之家.”
注释
灌―――－灌溉、注入的意思.
泾――――泾水,这里指水脉.
涘渚崖――涘,水边.渚,水中间现出的小块陆地.崖,河岸.
河伯―――水神.
若――――海神的名字.
殆――――糟糕、危险的意思
评点
本文嘲讽了那类“听讲过一些道理,便自以为什么都懂,再没有比得上自己的人”,教导我们要善于看到别人的长处,学会取长补短.
译文:
秋汛的季节到了,无数条溪水汇于大河,河水猛涨,淹没了两岸的高地和水中的沙洲,河面宽得看不清对岸的牛马.这样一来,河伯就洋洋自得起来了,以为世界上所有壮丽的景色都集中在自己身上了.他顺着河水向东行,一直来到北海,向东一望,一片辽阔的大海,看不见水的边际.于是乎,河伯才改变了他的骄傲的面容,仰望着海洋,向海神感慨地说：“俗话说：‘有的人只年到万分之一的道理,就以为谁也比不上自己’,这说的正是我自己呀!我曾听说有人嫌孔子的学问不少了,瞧不起伯夷大义,起初我不相信,今天我亲眼看到您的浩瀚无边,才知道自己往日的见闻实在太浅陋啊.如果我不到你这里来看一看,那就危险了,那样,我将会永远受到深明大道的人耻笑!”

赵高,项羽,刘邦,项羽,陈胜吴广.

指鹿为马
揭竿起义
破釜沉舟
约法三章
“项庄舞剑,意在沛公”
楚河汉界
十面埋伏
四面楚歌
霸王别姬

垓下之围讲的是西楚霸王项羽被汉王刘邦围于垓下,四面楚歌,英雄末路.霸王别姬就是在这种情况下,项羽要帅军突围,与虞姬作别的故事.

赵高
项羽
刘邦
项羽、虞姬
陈胜、吴广

"霸王别姬"悲伤 四面楚歌(垓下之围截选)悲壮

四面楚歌 项庄舞剑,意在沛公 破釜沉舟 沐猴而冠 我只记得这几个

This is a major historical themes Pipa Qu. On the creation of the music with no fixed date on. Information can be retroactive to the Tang Dynasty, Bai Juyi (772-846) wrote the famous shi "pipa lines", the author Bai Juyi Discovery may have heard about the performance of intense fighting scenes pipa music.
"House of Flying Daggers" spread is wide, is one of the traditional Pipa Qu, also known as "Huaiyang-Chu." This song is seen at the earliest existing music for the 1818 Huaqiu Ping "Pipa actions." Songs about 202 BC, Chu-Han Ga under the decisive battle of the war scenarios. Hanjun Zhenfa defeated by the House of Flying Daggers Chu, Xiang Yu Ziwen in the Wujiang River, Liu Bang victory. The late Ming and early Qing Dynasty, "four sets appear as" the "Pipa-soup", he recorded the soup should have pipa virtuoso performance, "Chu-Han," the scenes of one: "When their two armies fighting a decisive battle, the sound moving heaven and earth, If the tiles Feizhui. Xu and review of, the drum, sword crossbows sound, sound…… troops are beginning to hear and Fen, and then fear, Tiqi not have. Its so touching. "Suohui the scene, Shengse And this "House of Flying Daggers" very similar. The whole song at 13 paragraphs, could be heading to the three parts:
Part I:
(1) "camp out" with the entire song sequence, showing off before the war Chin-Ku, Qi-ming, scenes of people shouting encouragement. Music has gradually fast casual, the mood of the turn and its conversion, so that music does not increase stability.
(2) "Army."
(3) "点将"-was the theme, with a long string of round that way (but a round round round Yifu) and "buckle, hand, shells, hand" combination of fingering, the performance of the officers and men of the mighty style.
(4), "Pai RUF."
(5) "go team" before the music and a certain contrast, "Tse, points" and "shelter, is zoned" in a further demonstration of the army Yongwujiaojian Xiongzi.
Part II:
(6) laid an ambush at the eve of a decisive battle performance of the night, Han Army in the next Fubing, weather and the quiet tension, to pave the way for the following two paragraphs.
(7) Ji Ming Chu-Han Shan small armies fighting close combat, hit with guns and knives, sharp flavor, music initial start.
(8) Jiuli Shan armies fighting World War II depicts the fate of fighting were scenes. Horseshoe sound, knife-Ge of the sound, cry sound intertwined ups and downs, stirring. To use "designated, Pai, shells and exclusive" turn bombs, after the fight with two-string, push and pull, and other techniques, will be music to a climax.
Part III:
(9), Wang defeated.
(10) Wujiang Ziwen homonym of the first rhythm scattered repeatedly and acoustic rhythm close horseshoe turn, the performance of a breakthrough and take the Luohuang of Wang and Han Army Jinzhuibushe the scene and then is a solemn and stirring melody, the performance of Xiang Yu Ziwen; Last four string a "designated" urgent "V" (also known as the "Shazhu"), music, a sudden halt.
The original song is also available in:
(11) Public string Kay.
(12) Zhujiang power struggle.
(13) win back to camp. Zhong Wei, playing music that "Ziwen" only, after three paragraphs by deleting not played. Most of all home today for this method.
The whole song, there ", for transfer, or" nature of the layout. The first part of paragraph 5 ", for the Department," the second part of paragraph 3 "to" Department, the third part of Section 2 of "synergy" of the Department.
WANG You-the Ming Dynasty, "Tang Chuan pipa", in mind when people have been referred to as "Tang pipa" the soup should have been playing "Chuhan," the scenes: "When their two armies fighting a decisive battle, the sound moving heaven and earth, Wawuruofei Falling. Xu and review of, Jinsheng, drums, swords crossbows sound, people to provide sound easy, Eer silent, the long-standing grievances and difficult to understand is, to clear voice; Qi and Zhuang, Wang Elegy for the generosity of the voice Do not Kyi sound. Subsidence Daze has Zhuiqi sound, to have the Wujiang River Wang Ziwen sound, while riding an item Rou Jian Wang Sheng. Are beginning to hear and Fen, Jier fear, and the end of Tiqi not have. "From this Paragraph description can be seen, the soup should have been playing, "Chu-Han" and "House of Flying Daggers" in the circumstances and consistent theme, This shows that as early as the 16th century, the civil Ciqu has spread.
"Chuhan" Jiajing in the Ming Dynasty, Wanli popular around 1:00, by pipa virtuoso of the favorite.
Since the year 1818 Huaqiu Ping for the "Pipa spectrum" Since the development, each subsequent pipa spectrum sets contain "-10" notation. And the various versions of the sub-sub-headings have been different:
"Fahrenheit spectrum," said "10-", by Zhili Wang Chuan-spectrum, where 13;
"Lee spectrum" of "Huaiyin-Chu," Sui Qin and Han Zi; Jinshan Zhou Rui Qing Qing thick School, where 18;
"Yang is Hin spectrum," said "10-", a "Huaiyin-Chu," Where 18;
"Yingzhou ancient tune" of "House of Flying Daggers", all of 10.

先写《垓下歌》,虞姬听到这首歌以后和歌一首,歌曰：汉兵已略地,四方楚歌声；大王意气尽,贱妾何聊生.歌罢自刎而死.

霸王别姬
Farewell to My Concubine
程蝶衣就直译好了Dieyi Cheng

Has tremendous influence not not survive