菲利普·罗斯英文简介Thank you.

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Roth grew up in the Weequahic neighborhood of Newark,New Jersey,as the second child of first-generation American parents,Jews of Galician descent,and graduated from Newark's Weequahic High School in 1950.[2] Roth went on to attend Bucknell University,earning a degree in English.He then pursued graduate studies at the University of Chicago,where he received an M.A.in English literature and worked briefly as an instructor in the university's writing program.Roth went on to teach creative writing at the University of Iowa and Princeton University.He continued his academic career at the University of Pennsylvania,where he taught comparative literature before retiring from teaching in 1991.
While at Chicago,Roth met the novelist Saul Bellow,as well as Margaret Martinson,who became his first wife.Their separation in 1963,along with Martinson's death in a car crash in 1968,left a lasting mark on Roth's literary output.Specifically,Martinson was the inspiration for female characters in several of Roth's novels,including Lucy Nelson in When She Was Good,and Maureen Tarnopol in My Life As a Man.[3]
Between the end of his studies and the publication of his first book in 1959,Roth served two years in the United States Army and then wrote short fiction and criticism for various magazines,including movie reviews for The New Republic.His first book,Goodbye,Columbus,a novella and five short stories,won the National Book Award in 1960,and afterward he published two novels,Letting Go and When She Was Good.However,it was not until the publication of his third novel,Portnoy's Complaint,in 1969 that Roth enjoyed widespread commercial and critical success.
During the 1970s Roth experimented in various modes,from the political satire Our Gang to the Kafkaesque The Breast.By the end of the decade Roth had created his Nathan Zuckerman alter ego.In a series of highly self-referential novels and novellas that followed between 1979-1986,Zuckerman appeared as either the main character or as an interlocutor.
In Sabbath's Theater (1995),Roth presented his most lecherous protagonist yet with Mickey Sabbath,a disgraced former puppeteer.In complete contrast,the first volume of Roth's second Zuckerman trilogy,1997's American Pastoral,focuses on the life of virtuous Newark athletics star Swede Levov and the tragedy that befalls him when his teenage daughter transforms into a domestic terrorist during the late 1960s.I Married a Communist (1998) focuses on the McCarthy era.The Human Stain examines identity politics in 1990s America.The Dying Animal (2001) is a short novel about eros and death that revisits literary professor David Kepesh,protagonist of two 1970s works,The Breast and The Professor of Desire.
Events in Roth's personal life have occasionally been the subject of media scrutiny.According to his pseudo-confessional novel Operation Shylock (1993),Roth suffered a nervous breakdown in the late 1980s.In 1990,he married his long-time companion,English actress Claire Bloom.In 1994 they separated,and in 1996 Bloom published a memoir,Leaving a Doll's House,which described the couple's marriage in detail,much of which was unflattering to Roth.Certain aspects of I Married a Communist have been regarded by critics as veiled rebuttals to accusations put forth in Bloom's memoir.
In one of his most audacious books to date,The Plot Against America (2004),Roth imagines an alternative version of American history:What if Charles A.Lindbergh,aviator hero and isolationist had been elected U.S.president in 1940?In the imagined history that follows,Roth gives an account of a U.S.that negotiates an understanding with Hitler's Nazi Germany and embarks on its own program of anti-Semitism.It has been hailed as Roth's masterpiece."[H]uge,inflammatory,painfully moving… It may well be his best,and it may well arouse more controversy than all the rest combined.… That Roth has written The Plot Against America in some respects as a parable for our times seems to me inescapably and rather regrettably true."[4]
Roth's 182-page novel Everyman,a meditation on illness,desire,and death,was published in May 2006.
Exit Ghost,which features his alter ego Nathan Zuckerman,was released in October 2007.According to the book's publisher,it is the last Zuckerman novel[5].
Indignation,Roth's twenty-ninth book,was published on September 16,2008.Set in 1951 to the backdrop of the Korean War,it follows Marcus Messner's departure from Newark to Ohio's Winesburg College,where he begins his sophomore year.
1年前

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阅读下面的文字,完成下列各题。银行里的小男孩【美】菲利普·罗斯已经是午饭时间,储蓄所里只有一个职员在值班。那是一位大约4
阅读下面的文字,完成下列各题。
银行里的小男孩
【美】菲利普·罗斯
已经是午饭时间,储蓄所里只有一个职员在值班。那是一位大约40岁的男人,紧贴头皮的头发,小胡子,整洁、笔挺的棕色西装,身上的每一处都暗示着,他是一位细心谨慎的人。
这位职员正站在柜台后面,柜台前站着一个白人男孩,黄棕色的头发,穿着一件v领的毛线衣、一条卡其裤和一双平底鞋。我想我特别注意他是因为他看起来更像一名初中生,而不是银行的顾客。
他手上拿着一本打开的存折,脸上写满了沮丧。“但是我不明白,”他对银行职员说,“我自己开的账户,为什么我不能取钱。”
“我已经向你解释过了。”职员对他说,“没有父母的信函,一个14岁的小孩不能自己取钱。”
“但这似乎不公平,”男孩说,他的声音有点颤抖,“这是我的钱,是我把钱存进去的。这是我的存折。”
“我知道是你的存折。”职员说,“但规定就是这样。现在还需要我再讲一遍吗?”
他转身对我微笑了一下,说:“先生,你需要办理什么业务?”
“我本来想开一个新账户,但是看到这里刚刚发生的一幕后,我改变了主意。”我说。
“为什么?”他问。
“就因为你说的话。”我说,“如果我理解得没错的话,你刚才的意思是说,这个孩子已经达到把钱存入你们银行的年龄,却没有达到取出他的钱的年龄。如果无法证明他的钱或者他的存折有任何问题的话,那么银行的规定的确太可笑了。”
“对你来说也许可笑,”他的声音稍微提高了一点,似乎有点生气了,“但这是银行的规定,除了遵守规定,我没有别的选择。”
在我跟银行职员辩论的时候,男孩满怀希望地紧挨着我,但最终我也无能为力。突然我注意到,他手上紧抓着的那本打开的存折上显示只有100美元的结余。存折上面还显示进行过多次小额的存款和取款。
我想反驳的机会来了。
“孩子,以前你自己取过钱吗?”我问男孩。
“取过。”他说。
我一笑,转而问银行职员:“你怎么解释这个?为什么你以前让他取钱,现在不让呢?”
他看起来发火了,说:“因为以前我们不知道他的年龄,现在知道了,就这么简单。”
我转身向男孩耸耸肩,然后说道:“你真的被骗了。你应该让你的父母到这里来,向他们提出***。”
男孩看起来完全失望了,沉默了一会儿,他把存折放进背包,然后离开了银行。
银行职员透过玻璃门看着男孩的背影消失在街道的拐角,转身对我说道:“先生,你真的不该从中插一杠。”
“我不该插一杠?”我大声说道,“看看你们那些该死的规定吧!难道他不需要一个人来保护他的利益吗?”
“有人正在保护他的利益。”他平静地说。
“那么这个人是谁呢?”
“银行。”
我无法相信这个白痴居然会这样说。
“瞧,”我揶揄道,“我们只是在浪费彼此的时间。但你也许愿意跟我解释一下银行是如何保护那个孩子的利益的。”
“当然,”他温和说道,“今天早上我们得到消息,街上的一帮***已经***这个孩子一个多月了。那帮混蛋强迫他每周取一次钱给他们。显然,这个可怜的孩子由于害怕而没有把这件事告诉任何人。这才是他如此烦恼的原因——取不到钱,他害怕那些***会打他。不过***已经知道了这件事,今天他们也许就会实施***行动的。”
“你的意思是说根本没有年龄太小而不能取钱的规定?”
“我从没听说过这个规定。现在,先生,
“我?……”
(选自2010年12月版《小小说》,有删改)
小题1:下列表述不符合原文意思的一项是(3分)
a.午饭时间,“我”到储蓄所开帐户,而注意到了一个前来取款的白人初中学生。
 
b.小男孩遭******,由于害怕,只好一次又一次到银行取钱给那群骚扰者。
 
c.面对“我”的诘问,银行职员找不到合理解释的理由,很恼怒,发了脾气。
 
d.银行职员最后温和的态度预示了故事的结局:出乎意料之外,却又在情理之中。
小题2:小男孩和“我”在整个事件过程中的态度各有哪些变化?请分别概括说明。(6分)
小题3:请在小说结尾的横线处补写一句话,表达出银行职员所要表达的意思,要求连贯、含蓄、符合人物身份。(不超过10字)(3分)
小题4:文中的银行职员是一个什么样的人物形象?结合文本,谈谈自己的看法。(不超过100字)(6分)
pishuanghb991年前1
willow_hu 共回答了18个问题 | 采纳率88.9%
小题1:(3分)C(银行职员并非真的恼怒,他只是有点不高兴“我”“插一杠”。)
小题1:(6分)小男孩:十分沮丧—努力争取—看到希望—完全失望。“我”:冷静旁观——主动帮助——生气嘲讽——事后反思。(各3分,2点1分,3点2分,4点3分,言之成理即可。)
小题1:(3分)示例:“你还需要开户吗?”“你现在需要我服务吗?”
小题1:(6分)要点:①关注细节,小心谨慎;②耐心热情,关心客户;③热爱工作,忠于职守。(能答出其中两点,结合原文分析,语句通顺,可得满分。)


小题1:略